From LISTSERV@LISTSERV.UIC.EDU Sat Sep 11 14:27:15 1999
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To: Laura Quilter <lauraq@EXPLORATORIUM.EDU>
Subject: File: "FEMINISTSF-LIT LOG9908E"

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Date:         Sat, 28 Aug 1999 22:48:19 -0800
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From:         Sharon Anderson <shander@CDSNET.NET>
Subject:      Re: Ozark Mountain Trilogy
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Lindy, I have a copy of The Twelve Fair Kingdoms, but have been unable to find
the others.  If it does come up for republication, I would like to know.

---sharon
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Date:         Sun, 29 Aug 1999 09:19:50 -0700
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From:         Joyce Jones <hoop5@EMAIL.MSN.COM>
Subject:      Re: Favorite feminist moments

I've loved science fiction since I was a teen-ager, with my first book being
one my brother had checked out of the high school library 4 years previously
and never returned _Martian Chronicles_.  I was hooked.  But I think the
first time a real feminist concept caught my mind came with Ursula LeGuin.
I think it was _The Left Hand of Darkness_, but I'm not sure.  In this story
a woman was crossing a desert, I think, and was under the control of some
powerful man who wanted her to "open" to him and bear him a child, and she
debated the reasons she should or should not do so.  I was just amazed.
Even though the woman was his prisoner, she still had complete control over
whether or not she would become pregnant.  My heart  beats a little faster
when I contemplate the idea of a woman having such ownership of her own
body.  Many stories I've read since then reiterate this theme of individual
control of her reproductive abilities, Vonda McIntyre's _Dream Snake_ is one
that comes to mind, but in my reading, LeGuin was the first.  Glory be to
her for the concept and may it come to pass.
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Date:         Sun, 29 Aug 1999 10:42:44 -0700
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From:         Lyla Miklos <lylamiklos@YAHOO.COM>
Subject:      Re: Favorite feminist moments
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> I think it was _The Left Hand of Darkness_, but I'm
> not sure.  In this story
> a woman was crossing a desert, I think, and was
> under the control of some
> powerful man who wanted her to "open" to him and
> bear him a child, and she
> debated the reasons she should or should not do so.
> I was just amazed.

I don't know which book you are describing, but I'm pretty sure it
isn't "Left Hand".

Lyla Miklos
__________________________________________________
Do You Yahoo!?
Bid and sell for free at http://auctions.yahoo.com
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Date:         Sun, 29 Aug 1999 20:55:47 +0100
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From:         Lesley Hall <lesleyah@PRIMEX.CO.UK>
Subject:      Re: Favorite feminist moments
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.  In this story
>> a woman was crossing a desert, I think, and was
>> under the control of some
>> powerful man who wanted her to "open" to him and
>> bear him a child, and she
>> debated the reasons she should or should not do so.
>> I was just amazed.

I think this is Vonda McIntyre's short story 'Screwtop' (in _The New Women
of Wonder_) set on a prison planet. The man is one of the prison guards and
the women a prisoner.
Lesley Hall
lesleyah@primex.co.uk
website http://homepages.primex.co.uk/~lesleyah
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Date:         Sun, 29 Aug 1999 17:00:15 -0700
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From:         Sandy Candioglos <scandiog@YAHOO.COM>
Subject:      Re: Favorite feminist moments
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Lesley Hall wrote:
>
> .  In this story
> >> a woman was crossing a desert, I think, and was
> >> under the control of some
> >> powerful man who wanted her to "open" to him and
> >> bear him a child, and she
> >> debated the reasons she should or should not do so.
> >> I was just amazed.
>
> I think this is Vonda McIntyre's short story 'Screwtop' (in _The New Women
> of Wonder_) set on a prison planet. The man is one of the prison guards and
> the women a prisoner.
> Lesley Hall
> lesleyah@primex.co.uk
> website http://homepages.primex.co.uk/~lesleyah

That's probably it.  I just read that yesterday (it's also in a Tor
Double with "the color of Neadrethal Eyes" by Tiptree).  The phrase
"open to" is a key; that's how it's said in that story. It's not a
prison planet, just a prison continent; the actual population of the
planet lives on the "north continent".  Bearing the jailer a child would
have earned her freedom, or at least more comfort, and it was implied
that he could force her if he wanted to (I think by drugging her), but
he doesn't.

  -Sandy
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Date:         Sun, 29 Aug 1999 17:10:23 -0700
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From:         Sandy Candioglos <scandiog@YAHOO.COM>
Subject:      Re: Favorite feminist moments
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Lesley Hall wrote:
>
> .  In this story
> >> a woman was crossing a desert, I think, and was
> >> under the control of some
> >> powerful man who wanted her to "open" to him and
> >> bear him a child, and she
> >> debated the reasons she should or should not do so.
> >> I was just amazed.
>
> I think this is Vonda McIntyre's short story 'Screwtop' (in _The New Women
> of Wonder_) set on a prison planet. The man is one of the prison guards and
> the women a prisoner.
> Lesley Hall
> lesleyah@primex.co.uk
> website http://homepages.primex.co.uk/~lesleyah

Sheesh!  This is what I get for being drugged up on decongestant and
reading too much in one day...

"Screwtop" is in a Tor double with "The girl who was plugged in", also
by Tiptree, not "the color of neadrethal eyes," as I said in my last
mail.  *sigh*.

  -Sandy
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Date:         Sun, 29 Aug 1999 18:59:57 -0800
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From:         Sharon Anderson <shander@CDSNET.NET>
Subject:      Re: Favorite Feminist Classics
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I can't tell you in what order I read them, but these are ones which made me
feel affirmed:

        When It Changed   -- Russ
        The Funeral    --Wilhelm
        Houston, Houston, Do You Read?   -- Tiptree
        The Left Hand of Darkness -- LeGuin
        Of Mist, Grass and Sand   --McIntyre
        Babel-17 --Delaney (yes, I know it's space opera, but I loved it)
        ALL of Joanna Russ' books, especially The Two of Them
        The Shattered Chain and Thendara House   --Bradley
        Year of the Unicorn  --Norton
        The Women Men Don't See  --Tiptree
        Elizabeth Lynn's trilogy
        all of S. H. Elgin's work

those books/stories which made a big impression on me, but of which I have NO memory:

        San Diego Lightfoot Sue  --Tom Reamy
        Benefits  --Zoe Fairbairns
        The Godmothers   --Sandi Hall
        Accomodation Offered   --Anna Livia
        The Ophiuchi Hotline   --John Varley  (I"m not sure this is the right one,
but I think so)

those which I enjoyed, but did not like as much as I " should":

        Woman on the Edge of Time   --Piercy
        The Wanderground   --Gearhart
        LeGuin's trilogy

There are undoubtedly more, but at this moment in time, these are the standouts.

---s
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Date:         Sun, 29 Aug 1999 21:06:07 -0700
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From:         Dave Samuelson <dnsmlsn@CSULB.EDU>
Subject:      Re: Ozark Mountain Trilogy
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If anyone's interested, I have Book Club copies of all three for sale (I was
planning to give them to the university library, but it already has them).

Sharon Anderson wrote:

> Lindy, I have a copy of The Twelve Fair Kingdoms, but have been unable to find
> the others.  If it does come up for republication, I would like to know.
>
> ---sharon
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Date:         Sun, 29 Aug 1999 22:04:49 -0700
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From:         Keith <kmhouse@HALCYON.COM>
Subject:      Re: Favorite Feminist Classics
Comments: To: Sharon Anderson <shander@CDSNET.NET>
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On Sun, 29 Aug 1999, Sharon Anderson wrote:
>>many great stories snipped <<
>
> those books/stories which made a big impression on me, but of which I have NO memory:
>
>         San Diego Lightfoot Sue  --Tom Reamy

I loved this! During that brief period in the United States when women's
sexuality was decriminalized, this seemed one of the most egalitarian
stories of that egalitarian time.  Especially as to what the loss of
innocence really means, and what else is lost as well, regardless of sex.

Kathleen
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Date:         Mon, 30 Aug 1999 09:41:05 -0700
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From:         Jessie Stickgold-Sarah <jessiess@RESEARCH.BELL-LABS.COM>
Subject:      Re: Favorite Feminist Classics
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I remember reading Elizabeth Lynn's _The Northern Girl_  as a teenager and
being stunned and excited by the use of "she" as the indefinite pronoun. It
was so incredibly radical. Even now I get a little thrill whenever I see it
in technical manuals ("If the user wants to change this value at a later
time, she can...") and, naturally, I use it in my writing. I still love
that book. (Does everyone know that the entire trilogy has been reissued as
an omnibus trade pb called "The Chronicles of Tornor"?)

jessie
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Date:         Tue, 31 Aug 1999 23:08:47 GMT
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From:         "karen k." <jujujuice@HOTMAIL.COM>
Subject:      Re: Favorite Feminist Classics
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the first sf i read where i remember a feminist or gender-conscious
viewpoint would have to be ursula leguin - "the left hand of darkness", a
few of the stories in "the wind's twelve quarters", "the dispossessed"; also
dorothy bryant's "the kin of ata are waiting for you", and joan vinge's "the
snow queen".

(i stopped reading sf almost cold when i went to college, partly because
other priorities came up, but mainly because women, or at least women's
voices, were absent from most of the sf i knew; there were certain
conventions i perceived in sf and a male, often sexist point of view was one
i no longer wanted to deal with.  thanks to the wise women and men on this
list, i now know what i was missing.)

years later i was brought back into the "fold" by joanna russ' "the female
man" and the story with abbess radegunde (anyone know title?); sheri tepper,
beginning with "gate to women's country"; and nicola griffith's "ammonite".
i was also impressed with some of samuel delany's stuff.

i guess that the thought experiments that have interested me the most are
those that foreground identity and society rather than technology, and that
seems to be integral to most of my "feminist sf moments".

back into suspended animation.  take care.

karen k.


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Date:         Tue, 31 Aug 1999 18:29:47 -0500
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From:         Todd Mason <Todd.Mason@TVGUIDE.COM>
Subject:      Re: Favorite Feminist Classics: Karen K.
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Sounds like you're referring to Joanna Russ's story "Souls," published first
(like much of the best feminist sf over the last decades, and some of the
most oddly antifeminist, such as Raylyn Moore's) in FANTASY AND SCIENCE
FICTION.  Lois Wickstrom's explicitly feminist SF magazine PANDORA toiled
along largely unsung in the '70s and into the '80s, I believe...yet another
plug for the magazines, yes...certainly GALAXY, AMAZING and ASIMOV'S have
had their finer feminist moments, as well, among the sf titles...

-----Original Message-----
From: karen k. [mailto:jujujuice@HOTMAIL.COM]
Sent: Tuesday, August 31, 1999 7:09 PM
To: FEMINISTSF-LIT@LISTSERV.UIC.EDU
Subject: Re: [*FSF-L*] Favorite Feminist Classics

(i stopped reading sf almost cold when i went to college, partly because
other priorities came up, but mainly because women, or at least women's
voices, were absent from most of the sf i knew; there were certain
conventions i perceived in sf and a male, often sexist point of view was one
i no longer wanted to deal with.  thanks to the wise women and men on this
list, i now know what i was missing.)

years later i was brought back into the "fold" by joanna russ' "the female
man" and the story with abbess radegunde (anyone know title?);

i guess that the thought experiments that have interested me the most are
those that foreground identity and society rather than technology, and that
seems to be integral to most of my "feminist sf moments".

back into suspended animation.  take care.
