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Date:         Sat, 15 Jan 2000 11:52:03 -0800
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From:         Diane Severson <dianeseverson@IVILLAGE.COM>
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I finished Briar Rose a few days ago and must say I really enjoyed it.  I breezed right through it.

>Yolen also says that the Jewish Community and
>holocaust groups completely ignored her book, but the
>queer community welcomed it with open arms and gave it
>a lot of press.

It doesn't really surprise me though that the Jewish community has ignored it and the Gay community has embraced it.  Speaking strictly from an outsider's perspective (I'm neither Jewish nor Gay) I would say that for Jews there's not much new in this story.  That Gemma forgot or denied (to a certain extent) her past and her connection to WWII is something that a lot of people have done.  I personally found it interesting that she should dress her experience in a rather harmless fairy tale.  It might have been more interesting to Jews had Yolen gone more deeply into Gemma's own feelings in relation to ttelling her granddaughters this fairy tale over and over.  But that would have been another book entirely.
The part about gays in the war was if not new at least interesting and fleshed out more that the Jewish aspect.  I thought Jewishness played a minor role in this story.

Diane Severson
Moerfelder Landstr. 108
60598 Frankfurt am Main
(49)69-613371
(49)69-624595 (+Fax and answering machine)



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Date:         Mon, 17 Jan 2000 19:31:36 0100
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From:         Petra Mayerhofer <mayerhof@USF.UNI-KASSEL.DE>
Subject:      BDG Briar Rose
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I've read _Briar Rose_ last weekend but one in one rush, I could not
put it down. I had expected something else from the book. From
the descriptions I thought it would be a retelling of the fairy tale in
the 'magic realism' mode but it is a completely realistic novel. I do
not complain, however. This was the first Yolen book I've read. I
liked it so much I ordered _The Book of Alta_.

Like others on this list I like retellings of fairy tales but _Sleeping
Beauty_ never especially appealed to me (there are others which
strike closer to home). I have to look up the original Grimm version.
By the way, if anybody's interested, Briar Rose is Dornroschen in
German (the second o is an Umlaut, the syllables are Dorn-ros-
chen).

What's remarkable (but not unbelievable) is that in 50 years the
daughter never asked her mother any further questions. It's only
one of the granddaughters who really wants to know after they've
found the box.

As somebody already said the love story is a bit too cute and facile
(if icky means that) and IMO rather unnecessary for the whole
story. I will remember the book for the second part of it (i.e. the
story of the old Polish man) but without the first part I probably
wouldn't have read it. This part of the story especially got to me
because the activities of the resistance group was shown as so
futile, so hopeless. Both groups that we are shown end their
existence by a risky campaign, their actual goal being to be killed.
The only difference is that after what we've followed the activities of
the second group for some time we can understand their decision.
So far I had only heard stories about the French resistance which
is usually presented in a very different light, e.g. in Marge Piercy's
_Gone to Soldiers_.

I was a bit surprised about how the hierarchy of jews and gays in
the concentration camp was presented because so far I've thought
it the opposite. 20 years ago I've seen a play (_Bent_) about gays
in Nazi Germany who are deported to concentration camps. An
important aspect of the plot was that gays were treated worse than
jews in the camp (I don't think that I remember it wrong because of
what one of the gay man did to get a yellow triangle instead of a
pink one). According to the background information distributed at
that time judicial rulings of Nazi courts against gays were not
cancelled after the war because they were not seen as unlawful
and gay survivors of concentration camp were not recompensed.
As I assume that Jane Yolen has carried out research on this I
wonder now what's true (perhaps both in different circumstances).

Petra







Petra Mayerhofer
mailto:mayerhofer@usf.uni-kassel.de
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Date:         Mon, 17 Jan 2000 19:52:55 -0800
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From:         Sharon Anderson <shander@CDSNET.NET>
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Petra M. wrote:
>>What's remarkable (but not unbelievable) is that in 50 years the
daughter never asked her mother any further questions. It's only
one of the granddaughters who really wants to know after they've
found the box.<<

        I am not Jewish, nor do I have any Jewish friends I feel close enough to to
ask, so what I am about to say may be all wet.  But from everything I've ever
heard on holocaust documentaries, etc., in real life, the survivors usually
actively discouraged their children from asking any questions, laying a heavy
guilt trip on the kids so that they didn't even WANT to think about asking.
Yes? NO? This is a good question, and I'd really like to know the answer.

---s
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Date:         Tue, 18 Jan 2000 09:52:36 0100
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From:         Petra Mayerhofer <mayerhof@USF.UNI-KASSEL.DE>
Subject:      NYT Interview with Octavia Butler
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In the present issue of Science Fiction Weekly they quote a recent
interview of the New York Times with Octavia Butler. They write:
(http://www.scifi.com/sfw/issue143/news.html)

Butler Not Sanguine About Future

Octavia E. Butler, author of a dozen SF novels and winner of a
prestigious MacArthur "genius grant," doesn't believe the new
century will see an improvement in racial or sexual attitudes. In a
rare interview, Butler told The New York Times, "I don't mean that
it's going to get worse. I just mean that we human beings are such
naturally contentious creatures.

"The only way the two issues could disappear is under a regime so
totalitarian that we are not permitted to talk about it," said Butler,
one of the few African-American women writing SF. "In countries
where there are no racial differences or no religious differences,
people find other reasons to set aside one certain group of people
and generally spit in their direction. ... It delights people to find a
reason to be able to kick other people."

Butler's latest novels, Parable of the Sower and Parable of the
Talents, are stories about a dystopian American future. "We are a
naturally hierarchical species," she said. "When I say these things
in my novels, sure I make up the aliens and all of that, but I don't
make up the essential human character, the way we are."

I looked it up at the NYT website. It should be the following article:
January 1, 2000, Saturday
VISIONS: IDENTITY; 'We Tend to Do the Right Thing When We
Get Scared'
 IN Octavia E. Butler's latest novels, ''Parable of the Sower'' and
''Parable of the Talents,'' the near future is grim and dangerous.
Americans have been devastated by an economic meltdown that
makes water too expensive to bathe in. A religious right ...

Unfortunately they don't offer it online.

Petra

P.S.: _Dawn_ by Butler is our BDG book in February.



Petra Mayerhofer
mailto:mayerhofer@usf.uni-kassel.de
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Date:         Tue, 18 Jan 2000 09:43:57 -0500
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From:         Danamarie Hough <danamarie@AJMC.COM>
Subject:      BDG Briar Rose
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First off, I'm new here and just wanted to say hello.  I have been a
feminist for most of my life and am just starting to get into
SF/Fantasy, so I thought I'd like it here.  Unfortunately, I have not
read Briar Rose (although I plan to now), so I can't speak directly
about the book.

However, although I am by no means an expert, I have done some work with
the Holocaust and wanted to address Sharon's comment regarding the
silence surrounding it.  Your guess is right on from what I've studied,
but the guilt goes even deeper.  According to Art Spiegelman, author of
Maus and (obviously) child of a survivor (COS), his father was plagued
with angst over having survived.  A former shoemaker, he'd repaired
shoes for German soldiers--how many more people were killed because a
Nazi had a good pair of shoes?  He was a frail man and probably would
not have lived had he not had a skill--should he have lived?

Other survivors have similar stories: they were women who lived in the
'puffs' (free brothels for German soldiers located on camp premises), or
children who ran messages.  And when they truly hadn't done anything but
manual labor, survivors had even more difficulty coming to grips with
their lives, because there was no single event or action to explain it.
They worried that they had worked too well, gotten a slightly larger
chunk of bread, or a more nourishing bit of broth.

In any case, the guilt starts with surviving and turns to anger and
hostility toward the next generation.  Not only is all talk of "the
events" suddenly taboo, but now the very natural selfishness of
childhood becomes a platform to rant about how easy the new generation
has it.  It's not a pretty picture, and most COSes will admit to very
strained, uncommunicative relationships with their parents.

Sorry to make such a long first post, but I hope this help to clarify
aspects of the novel.  It sounds like you're all really enjoying it and
I can't wait to join you for the next one.

-D

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<html>
First off, I'm new here and just wanted to say hello.&nbsp; I have been
a feminist for most of my life and am just starting to get into SF/Fantasy,
so I thought I'd like it here.&nbsp; Unfortunately, I have not read <i>Briar
Rose</i> (although I plan to now), so I can't speak directly about the
book.
<p>However, although I am by no means an expert, I have done some work
with the Holocaust and wanted to address Sharon's comment regarding the
silence surrounding it.&nbsp; Your guess is right on from what I've studied,
but the guilt goes even deeper.&nbsp; According to Art Spiegelman, author
of <i>Maus </i>and (obviously) child of a survivor (COS), his father was
plagued with angst over having survived.&nbsp; A former shoemaker, he'd
repaired shoes for German soldiers--how many more people were killed because
a Nazi had a good pair of shoes?&nbsp; He was a frail man and probably
would not have lived had he not had a skill--should he have lived?
<p>Other survivors have similar stories: they were women who lived in the
'puffs' (free brothels for German soldiers located on camp premises), or
children who ran messages.&nbsp; And when they truly hadn't done anything
but manual labor, survivors had even more difficulty coming to grips with
their lives, because there was no single event or action to explain it.&nbsp;
They worried that they had worked too well, gotten a slightly larger chunk
of bread, or a more nourishing bit of broth.
<p>In any case, the guilt starts with surviving and turns to anger and
hostility toward the next generation.&nbsp; Not only is all talk of "the
events" suddenly taboo, but now the very natural selfishness of childhood
becomes a platform to rant about how easy the new generation has it.&nbsp;
It's not a pretty picture, and most COSes will admit to very strained,
uncommunicative relationships with their parents.
<p>Sorry to make such a long first post, but I hope this help to clarify
aspects of the novel.&nbsp; It sounds like you're all really enjoying it
and I can't wait to join you for the next one.
<p>-D</html>

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Date:         Tue, 18 Jan 2000 07:11:59 -0800
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From:         Diane Severson <dianeseverson@IVILLAGE.COM>
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>Petra M. wrote:
>I was a bit surprised about how the hierarchy of jews and gays in
>the concentration camp was presented because so far I've thought
>it the opposite.

I really have no authority on this subject matter at all.  I imagine that treatment in a concentration camp was pretty horrible for anyone regardless of why you were there.  It is possible that certain people hated gays more than Jews and treated them accordingly and vice versa.  It's probably a matter of circumstance and perspective.

Sharon Anderson wrote:
But from everything I've ever
>heard on holocaust documentaries, etc., in real life, the survivors usually
>actively discouraged their children from asking any questions...

I think that Yolen made this pretty clear in the book that this was the case.  NOne of the granddaughters really asked about her past while she was alive either.

Diane

---
Diane Severson
Moerfelder Landstr. 108
60598 Frankfurt am Main
(49)69-613371
(49)69-624595 (+Fax and answering machine)



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Date:         Tue, 18 Jan 2000 07:43:38 -0800
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From:         Lyla Miklos <lylamiklos@YAHOO.COM>
Subject:      Re: BDG Briar Rose
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> I have to look up the
> original Grimm version.
> By the way, if anybody's interested, Briar Rose is
> Dornroschen in
> German (the second o is an Umlaut, the syllables are
> Dorn-ros-
> chen).

In the original version of the tale Sleeping Beauty is
not awakened by a kiss but rather by the birth of
twins after the Prince who got threw the the dnagers
of the castle impregnates her.

> I will remember the book for the second part
> of it (i.e. the
> story of the old Polish man) but without the first
> part I probably
> wouldn't have read it.

I hadn't read Briar Rose in a number of years and I
had completely forgotten all the parts leading up to
meeting the gay holocaust surviour. I only remembered
his tale. It was the part that stuck with me and
really it is a story within a story in the novel. The
tone and pacing of his entire retelling is very
different from the rest of the book.

Lyla
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Date:         Tue, 18 Jan 2000 17:47:48 0100
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From:         Petra Mayerhofer <mayerhof@USF.UNI-KASSEL.DE>
Subject:      Re: NYT Interview with Octavia Butler
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I said:
> I looked it up at the NYT website. It should be the following article:
> January 1, 2000, Saturday VISIONS: IDENTITY; 'We Tend to Do the Right
> Thing When We Get Scared'
> Unfortunately they don't offer it online.
Wrong. Excerpts can be found at
http://www.nytimes.com/specials/010100mil-identity-octa.html

Petra

Petra Mayerhofer
mailto:mayerhofer@usf.uni-kassel.de
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Date:         Tue, 18 Jan 2000 09:41:20 -0800
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From:         Allyson Shaw <allyshaw@EARTHLINK.NET>
Subject:      Re: BDG BRIAR ROSE
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Sorry about that empty message-- hit the send button too soon!

I've really enjoyed reading everyone's comments on Briar Rose, and I'm
looking forward to being introduced to new books like this one, books I
probably wouldn't read on my own.

I agree with others about the love story being too facile, but I thought
that wooden quality also spilled into the book as a whole, with the
interjections of the fairy tale being somewhat predictable until the end
where the true subject and heart of the novel is introduced-- the gay
resistance fighter's narrative.  It's a powerful attempt at creating
specific vision of the holocaust,  which can so easily turn to cliché.
Yolen avoids this, yet that section is overwritten in parts-- similes
and metaphors like "a devil's rainbow", etc. tip the scales towards
sentimentality, which must be avoided always, but especially where the
holocaust is concerned.

I'm sorry to be so hard on the book, I was glad to be introduced to it
and would be interested in hearing about the other books in the Fairy
Tale series.

--Allyson

Lyla Miklos wrote:

> > Behind as usual, I just read this one today...I've
> > always been fond of Jane
> > Yolen, and I liked this one too. For some reason the
> > writing seemed a bit
> > clunky,
>
> All the bits with the editor at her local nespaper and
> them getting to know eachother better were rather icky
> and reminded me of the time when I used to read Sweet
> Valley High books.
>
> I found the most engaging part of the tale the bit
> where the gay survivor recounts his story. The images
> from that sequence have always stuck with me.
>
> Lyla
>
> __________________________________________________
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Date:         Tue, 18 Jan 2000 11:15:34 -0800
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From:         Jessie Stickgold-Sarah <jessiess@RESEARCH.BELL-LABS.COM>
Subject:      Re: BDG BRIAR ROSE
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>I'm sorry to be so hard on the book, I was glad to be introduced to it
>and would be interested in hearing about the other books in the Fairy
>Tale series.

I've been thinking a lot lately about why this book seems so flawed in its
telling, when I'm so fond of many of her other books. I think the key is
that Jane Yolen really is a fabulous fairy tale teller, and when she moves
into more modern styles something is lost. I think she changes the language
and makes it a little less formal, and loses something in the doing. I
haven't read anything else by her in quite a while, though, so I'd be
interested in hearing from people who've read Briar Rose and one of her
fantasy novels recently.

I've read several of the other Fairy Tale books. Mostly they're more
fantastical. I believe that Stephen Brust's _The Sun, the Moon and the
Stars_ uses the same fairy-tale-as-framing device, but I read it something
like ten years ago. I remember liking it at the time. Patricia Wrede's
_Snow White, Rose Red_ is a retelling of the story set in Elizabethan
England, also not a recent read. Pamela Dean's _Tam Lin_ is a favorite of
mine; it's set in a college in the 70s. There's not a lot of explicit
magic, but if you know the story of Tam Lin you can see a lot of it peeking
through. My second time through it seemed obvious. I haven't read any of
the others.

Jessie
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Date:         Tue, 18 Jan 2000 14:07:07 -0600
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From:         Liz Bennefeld <quiltedpoetry@ATT.NET>
Subject:      Re: BDG BRIAR ROSE
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I also enjoyed Wrede's _Snow White, Rose Red_, but the first
Fairy Tale book I read was Pamela Dean's Tam Lin. I've reread that
one several times, now; no other book has really been equal to it.

Liz

On 18 Jan 00, at 11:15, Jessie Stickgold-Sarah wrote:

>> I've read several of the other Fairy Tale books. Mostly they're
more fantastical. I believe that Stephen Brust's _The Sun, the
Moon and the Stars_ uses the same fairy-tale-as-framing device,
but I read it something like ten years ago. I remember liking it at
the time. Patricia Wrede's _Snow White, Rose Red_ is a retelling
of the story set in Elizabethan England, also not a recent read.
Pamela Dean's _Tam Lin_ is a favorite of mine; it's set in a college
in the 70s. There's not a lot of explicit magic, but if you know the
story of Tam Lin you can see a lot of it peeking through. My
second time through it seemed obvious. I haven't read any of the
others.
>
> Jessie



--
Elizabeth W. Bennefeld
Managing Editor, Dark Star Publications
http://www.darkstarpublications.com
Freelance Writer/Editor d.b.a. The Written Word
http://home.att.net/~thewrittenword/
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Date:         Tue, 18 Jan 2000 13:23:48 -0800
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From:         Lyla Miklos <lylamiklos@YAHOO.COM>
Subject:      Re: BDG BRIAR ROSE
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I have greatly enjoyed the anthologies put out by
Terri Windling and Ellen Datlow. They contain
retellings of classic fairytales by famous sci-fi and
fantasy writers.

Right now I am enjoying Angela Carter's "The Bloody
Chamber". Her stuff is very very dark.

Lyla
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Date:         Tue, 18 Jan 2000 16:20:16 -0800
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From:         Allyson Shaw <allyshaw@EARTHLINK.NET>
Subject:      Re: Carter's Bloody Chamber
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Angela Carter is one of my favorite authors-- I'm teaching The Bloody
Chamber to my freshman writing class, it's the first time I've used this
text in the classroom.  I'm afraid it might be too dark for them, but
maybe they will go for it.  I hope so.

I'll have to check out the Datlow anthology-- what's the title?

Any thoughts on Carter so far?
--Allyson

Lyla Miklos wrote:

> I have greatly enjoyed the anthologies put out by
> Terri Windling and Ellen Datlow. They contain
> retellings of classic fairytales by famous sci-fi and
> fantasy writers.
>
> Right now I am enjoying Angela Carter's "The Bloody
> Chamber". Her stuff is very very dark.
>
> Lyla
> __________________________________________________
> Do You Yahoo!?
> Talk to your friends online with Yahoo! Messenger.
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Date:         Wed, 19 Jan 2000 14:16:26 +1000
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From:         Nike <n.bourke@MAILBOX.GU.EDU.AU>
Organization: Griffith University
Subject:      Re: Carter's Bloody Chamber
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I'm also a big fan of Carter's work. I'll be teaching one of her
longer texts - Wise Children - in a course for 2nd year uni this
semester.



> Angela Carter is one of my favorite authors-- I'm teaching The
> Bloody Chamber to my freshman writing class, it's the first time
> I've used this text in the classroom.  I'm afraid it might be too
> dark for them, but maybe they will go for it.  I hope so.
>
> I'll have to check out the Datlow anthology-- what's the title?
>
> Any thoughts on Carter so far?
> --Allyson
>
> Lyla Miklos wrote:
>
> > I have greatly enjoyed the anthologies put out by
> > Terri Windling and Ellen Datlow. They contain
> > retellings of classic fairytales by famous sci-fi and
> > fantasy writers.
> >
> > Right now I am enjoying Angela Carter's "The Bloody
> > Chamber". Her stuff is very very dark.
> >
> > Lyla
> > __________________________________________________
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Date:         Wed, 19 Jan 2000 14:24:27 +1000
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From:         Nike <n.bourke@MAILBOX.GU.EDU.AU>
Organization: Griffith University
Subject:      not really Briar Rose
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I've been trying to get hold of some of these books for a while. I
have Kara Dalkey's The Nightingale, which I really enjoyed, as did my
teenage daughter, who is intrigued by all things Japanese. I haven't
finished Briar Rose yet, but I do agree w/ below - it's not as strong
as her more strictly fantastical work - a little falsely didactic? I
get the feeling its reaching a little too hard to make an important
point, sometimes at the cost of a good story.

Nike
>
> I've been thinking a lot lately about why this book seems so flawed
> in its telling, when I'm so fond of many of her other books. I think
> the key is that Jane Yolen really is a fabulous fairy tale teller,
> and when she moves into more modern styles something is lost. I
> think she changes the language and makes it a little less formal,
> and loses something in the doing. I haven't read anything else by
> her in quite a while, though, so I'd be interested in hearing from
> people who've read Briar Rose and one of her fantasy novels
> recently.
>
> I've read several of the other Fairy Tale books. Mostly they're more
> fantastical. I believe that Stephen Brust's _The Sun, the Moon and
> the Stars_ uses the same fairy-tale-as-framing device, but I read it
> something like ten years ago. I remember liking it at the time.
> Patricia Wrede's _Snow White, Rose Red_ is a retelling of the story
> set in Elizabethan England, also not a recent read. Pamela Dean's
> _Tam Lin_ is a favorite of mine; it's set in a college in the 70s.
> There's not a lot of explicit magic, but if you know the story of
> Tam Lin you can see a lot of it peeking through. My second time
> through it seemed obvious. I haven't read any of the others.
>
> Jessie
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Date:         Wed, 19 Jan 2000 07:53:31 -0800
Reply-To:     Feminist SF/Fantasy and Utopia Literature ON TOPIC
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From:         Lyla Miklos <lylamiklos@YAHOO.COM>
Subject:      Re: Carter's Bloody Chamber
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> > I'll have to check out the Datlow anthology--
> what's the title?

Datlow and Windling have been putting together for
over a decade The Best of Horror and Fantasy
collections that come out every year.

The fairy tale anthologies they have put out so far
include. . . .

Black Swan, White Raven
Snow White, Blood Red
Silver Birch, Blood Moon
Ruby Slippers, Golden Tears
Blck Thorn, White Rose
and
Black Swan, White Raven

I checked out the Amazon.com site and it looks like
two new ones are coming out this year.

Black Heart, Ivory Bones
and
A Wolf At The Door and Other Retold Fairy Tales

> > Any thoughts on Carter so far?
> > --Allyson

I enjoyed the Bloody Chamber, although it reminded me
a lot of Daphne's and Hitchcock's "Rebecca". I find
Angela tends to drift a bit in her narrative
structure. I'm read la la la la and then I go what?!?
What's going on? and I have to go back to where it
kinda took a turn into some weird abstract rather than
direct telling of the tale.

I remembering watching Neil Jordan's "The company of
Wolves" and finding the film really lacked a tight
narrative structure so I grabbed the short story from
the shelf at a super big bookstore and read it right
there on the spot and realized the original story was
more about themes and symbolism than plot.



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Date:         Fri, 21 Jan 2000 11:56:42 -0800
Reply-To:     Feminist SF/Fantasy and Utopia Literature ON TOPIC
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From:         Marge Simpson <marge_simpson65@YAHOO.COM>
Subject:      EOS CON III
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EOS, the sf imprint of Avon books, is having it's 3rd
online Science Fiction Convention, January 29, 2000,
4-8pm EST
http://www.eoscon3.com
The eoscon3.com site will be available after
January 23


SCHEDULE OF EVENTS
>
> 4-5pm ROOM A
> Worldbuilding From The Ground Up
> DAVE DUNCAN, DENNIS JONES, ANNE McCAFFREY, and
> JULIET MCKENNA discuss what
> it takes to build a world and bring it alive with
> characters and story.
> 4-5pm ROOM B
> Technological Access: The New Caste System
> KAGE BAKER, DENNIS DANVERS, KATHLEEN ANN GOONAN, and
> SEVERNA PARK talk about
> how access to technology and information will create
> new class distinctions.
> 5-6pm ROOM A
> History of the Alternate
> DAVE DUNCAN, ELIZABETH HAND, GUY GAVRIEL KAY, and
> MARTHA WELLS know how to
> make history suit their needs.  Find out how they do
> it in this panel
> discussion.
> 5-6pm ROOM B
> The Science of Disaster
> Things will always go wrong-it's just a matter of
> time. GREGORY
> BENFORD, ELIZABETH HAND, JACK MCDEVITT, and WALTER
> JON WILLIAMS explain how
> scientific fact plays a role in their novels.
> 6-7pm ROOM A
> Military Maneuvers in SF and Fantasy
> We have a wealth of military history and theory at
> our disposal.  Join TRACY
> HICKMAN, SUSAN R. MATTHEWS, and KRISTINE SMITH as
> they discuss how they put
> this knowledge to use.
> 6-7pm ROOM B
> Fantasy Outside the Box
> JEFFREY FORD, SHARON GREEN, JANE ROUTLEY, and
> MAGARET WEIS don't write your
> typical fantasy novels.  Find out what drives them
> toward redefining the
> genre and making it truly their own.
> 7-8pm ROOM A
> How to Get Published
> Get the facts straight from acquiring editors and
> published authors.  Eos
> Editors CAITLIN BLASDELL, JENNIFER BREHL and DIANA
> GILL team up with authors
> JAMES ALAN GARDNER, VICTORIA STRAUSS, and MAGARET
> WEIS and explain what to
> do in order to get published.
> 7-8pm ROOM B
> How To Promote Yourself: Spec Fiction and the Media
> A publicist can't do everything. Publicists Andy
> Heidel and Lindsay Lifrieri
> team up with authors SUSAN R. MATTHEWS and JANNY
> WURTS to explain how to
> promote yourself once you've been published.

=====
http://www.angelfire.com/ab2/midgeworld/ :: midgeworld ::
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Date:         Fri, 21 Jan 2000 12:09:12 -0800
Reply-To:     Feminist SF/Fantasy and Utopia Literature ON TOPIC
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From:         April Goodwin Smith <aprilgoodwinsmith@YAHOO.COM>
Subject:      Re: EOS CON III
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Cool.  Thank you for sharing!
April.
(long time lurker)

--- Marge Simpson <marge_simpson65@YAHOO.COM> wrote:
> EOS, the sf imprint of Avon books, is having it's
> 3rd
> online Science Fiction Convention, January 29, 2000,
> 4-8pm EST
> http://www.eoscon3.com
> The eoscon3.com site will be available after
> January 23
>
>
> SCHEDULE OF EVENTS
<snippage>

=====
"Things that try to look like things often do look more like things than things.  Well-known fact."  Esmerelda Weatherwax.  (Pratchett, 1988)




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