From LISTSERV@LISTSERV.UIC.EDU Thu Jul 12 20:25:25 2001
Date: Mon, 9 Jul 2001 07:39:55 -0500
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To: Laura Quilter <lquilter@FEMINISTSF.ORG>
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Date:         Fri, 23 Jun 2000 11:33:44 -0700
Reply-To:     Feminist SF/Fantasy and Utopia Literature ON TOPIC
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From:         Jessie Stickgold-Sarah <jessiess@RESEARCH.BELL-LABS.COM>
Subject:      Re: Humility Garden books
In-Reply-To:  <4.3.2.7.2.20000620220146.00ce7320@krauel.com>
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>Anybody read these?  The author is I believe Felicity Savage, and I think
>these were her first books, written before she even turned 21 if I recall
>the back cover text.  The titles are Humility Garden and Delta City.  I
>won't put any spoilers in here.

Ayup. In fact, I went to high school with her, and the first book was
largely in its final form before we graduated. (All her author's bios
indicate that she absolutely loathed our high school, but she's been polite
enough not to say so to us.) She wrote the next one in college. She's also
got another trilogy out a few years ago, probably not easy to find: The War
In The Waste, Daemon In The Machine, A Trickster In The Ashes.

>sort of a stylized version of gay male sensibilities, and I
>also thought several of the gods (Pati, Arity, etc.) came off in the same
>way.  An emphasis on appearance and style over substance, for example.  I
>imagined pounding disco music in the clubs in the salt.

That's certainly what I though of when I read them. It's been a long time,
though, so I can't say more than to agree with you. Her next books are
certainly more sophisticated, better-constructed stories; you might like them.

Jessie

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Date:         Sun, 25 Jun 2000 14:11:21 EDT
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From:         Sophia Hegner <SophiaDHM@AOL.COM>
Subject:      Dragons
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Hello,

I've just got back from vacation, and I had the chance to read a lot of great
books.

Among others, I read _Dragonsdawn_, by Anne McCaffrey, as well as
_Dragondrums_. Both were good, and I'm in love with fire-lizards. I'm not
sure if I'd really totally qualify these books as feminist, though. Any
thoughts?

Also, it would be a great help, if someone could send me a list of the Pern
books *in order.* I have been unable to find a reliable list that was in
chronological order. It seems like _Dragonsdawn_ was the first, but I'm not
even sure about that.

Thanks,
Sophia

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Date:         Sun, 25 Jun 2000 20:34:05 +0200
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From:         Rowena Alberga <rowena_a@DDS.NL>
Subject:      Re: Dragons
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Hi Sophia,

Yes, I remember the Dragonriders series as great fun but with so many
titles and a bit confusing chronlogical order. (they didn't strike me as
explicitely feminist.)
I got the followong list from a website devoted to Pern so I guess it
will be correct (http://holodeck.vt1.com/pern)
First Pass

Dragonsdawn
Chronicles of Pern: First Fall

Second Pass

Dragonseye

Sixth Pass

Moreta
Nerilka's Story

Ninth Pass

The Masterharper pf Pern
Dragonflight
Dragonquest
Dragonsong
Dragonsinger
Dragondrums
The White Dragon
Renegades of Pern
All the Weyrs of Pern
Dolphins of Pern

I guess you need a few more hollidays to read it all.

have fun,
Rowena

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Date:         Sun, 25 Jun 2000 14:59:03 EDT
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From:         Sophia Hegner <SophiaDHM@AOL.COM>
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In a message dated 06/25/2000 11:35:17 AM Pacific Daylight Time,
rowena_a@DDS.NL writes:

> I guess you need a few more hollidays to read it all.

I sure will! Thank you, Rowena, for that great list. I had no idea there are
so many.... Can't wait to find them and read them all. Of course, now that
I'm working again, it may take a while.

:) Sophia

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Date:         Sun, 25 Jun 2000 14:18:59 -0500
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From:         Roxanne Korpal <rmkorpa@ILSTU.EDU>
Subject:      Re: Dragons
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Hey, Sophia, I hope you enjoy the books. I've read nearly all of them
(if not all) and love the series.

I'm not sure about the feminist angle in the books either. McCaffrey is
a great fan apparantly of the traditional (and not so traditional) love
story. The partnerships in her books are usually stronger than the
individual and strong people that make up the partnerships were on their
own. I've been visiting alt.fan.pern for a few years, and the
books/feminism/etc discussion has occured a few times at least. (minor
understatement)

feminism at www.m-w.com is defined as the following:
1 : the theory of the political, economic, and social equality of the sexes
2 : organized activity on behalf of women's rights and interests

I think Anne does not write against the idea that women are equal to men
in all areas (or can be) but I think her books demonstrate a marked
favoritism to the idea that women and men have different "natural"
strengths. (Personally i think she makes a good point in her books, and
like her ideas which she portrays). Very often you find in her books a
balance in the successful partnerships that exist.

Trying to debate this will usually bring up the books and important main
female characters in them (think: Lessa and Moreta, a study of
contrasts) so I think that if anyone continues this discussion, remember
to put "spoiler" in the title for poor Sophia. That or try to stick to
ideas and book titles, and not specific names or instances. (I really
don't want to predispose new readers such as Sophia one way or the
other. I'd rather they come to their own conclusions, then we debate)

Anyways, give me an email if you'd like. It's been awhile since I picked
up a Dragonrider book, so I may be rusty, but they're my favorites and I
love talking about 'em.

Rox
htt://darkramoth.tripod.com
"Pain is inevitable. Suffering is optional."

On Sun, 25 Jun 2000, Sophia Hegner wrote:

> In a message dated 06/25/2000 11:35:17 AM Pacific Daylight Time,
> rowena_a@DDS.NL writes:
>
> > I guess you need a few more hollidays to read it all.
>
> I sure will! Thank you, Rowena, for that great list. I had no idea there are
> so many.... Can't wait to find them and read them all. Of course, now that
> I'm working again, it may take a while.
>
> :) Sophia

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Date:         Sun, 25 Jun 2000 15:33:10 EDT
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In a message dated 06/25/2000 12:20:56 PM Pacific Daylight Time,
rmkorpa@ILSTU.EDU writes:

> I think that if anyone continues this discussion, remember
>  to put "spoiler" in the title for poor Sophia.

THANK YOU! I really appreciate this... I hate nothing more than having
something spoiled for me in a book I am going to read or a movie I'm planning
to see.

:) Sophia

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Date:         Sun, 25 Jun 2000 20:13:27 -0400
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From:         Helen Thompson <helcat@SFF.NET>
Subject:      Re: Dragons
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> THANK YOU! I really appreciate this... I hate nothing more than having
> something spoiled for me in a book I am going to read or a movie I'm planning
> to see.
>
> :) Sophia

In the interests of preserving some of the suspense of the series, I
strongly suggest you read the ninth pass books first. The
dragonsinger trilogy and nerilka's story is more intended as a YA
series, whereas the dragonrider series and moreta are more "adult"
in nature.  Dragonsdawn &c were written as prequels, and as a
result, they're jarringly disparate from the original series, and end
up being a spoiler for some of it.

I really wish McCaffrey would write more in the Crystal Singer
series.  Killashandra was perhaps the first female protagonist that I
strongly identified with in an SFnal setting. I was maybe fifteen.

Helen

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Date:         Mon, 26 Jun 2000 20:50:05 +1000
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From:         Julieanne <jalc@OZEMAIL.COM.AU>
Subject:      Re: Dragons
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At 20:13 25/06/2000 -0400, Helen Thompson wrote:
>I really wish McCaffrey would write more in the Crystal Singer
>series.  Killashandra was perhaps the first female protagonist that I
>strongly identified with in an SFnal setting. I was maybe fifteen.

I was about the same age when I read the Crystal Singer trilogy and had
always remembered a great fondness for Killashandra as a strong female
protagonist - but -

<SPOILER>

I recently reread a reprinted edition of all 3 books in one volume, and was
disappointed - the classic "falling in love with the first man to give you
a good thumping" etc struck a very odd chord with me - after he bashes her,
drugs her, ties her up, abducts her across half a planet, & dumps her on a
deserted island without food or water, Killashandra swoons with passion and
seduces him the first chance she gets - After which the guy quite forcibly
takes control of Killashandra's life and she loves every minute of it.
Killashandra is still presented as a strong woman,  -  but also as an
immature and silly girl, who needs a strong Macho Man to keep her in line &
productive for the Guild. By the end of the 3rd book, I started to grit my
teeth, muttering.. " If he smacks her one more time...."

Perhaps it was just my surging adolescent hormones in my teenage years
focussing my reading on the turgid passionate sex-scenes to the exclusion
of all else?

Similarly with the 'Talents of Earth' series - the main women characters
all start off great - but they are presented as unhappy & unfulfilled by
their power & status & respect, until they meet up with Mr Macho, the
gorgeous sexy hunk, who then takes his rightful place, often with violence
- slapping & smacking her silly irresponsible face back into her proper place.

Nonetheless I still find them fun - especially the Pern books which has
some clever ideas with the dragons and so on:) But in no way, shape or
form, would I ever call any of McCaffrey's works feminist, LOL:)

However, at about the same time in my teenage years, I read all 7 books of
Jo Clayton's "Diadem from the Stars" sci-fi series - and the character of
Aleytys,  has remained my most admired strong woman character I have ever
read in sci-fi (and yes, I did re-read them years later:) - from the very
first book when Aleytys is 15, alone and pregnant, and crossing half a
planet on foot - through 6 more books of galactic space-opera, plot twists,
action, sex, romance, schemes & dreams, complex relationships with other
characters male & female (some of which, Jo Clayton spun off as the main
characters in their own books in later years) - to the end book in the
final scene when she finally confronts the mother who had abandoned her as
a baby on a backward planet.

Great stuff, and terrific counterpoint if you ever tire of McCaffrey's
raven-haired heroines swooning into the hairy chests of pseudo-rapists with
charming grins:)

Cheers - Julieanne:)

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Date:         Mon, 26 Jun 2000 03:58:47 -0700
Reply-To:     dianeseverson@ivillage.com
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From:         Diane Severson <dianeseverson@IVILLAGE.COM>
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Hi Sophia,
Helen made a good point - don't start with Dragon's Dawn - well, I guess you haven't.  I would recommend the first 2 of the Dragon Rider series, then the DragonSinger series, THEN The White Dragon.  Read Moreta next, then Nerilka's Story and then I think you are safe for any of the "prequels" DragonsDawn and then The Chronicles.  They aren't all as fantasy based as DragonSinger et al.  Some are more SciFi.  I enjoy this aspect of the series and I would welcome a discussion of the feminist aspects and of the Pern series in general when you've read more!  Enjoy!
Diane



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Date:         Mon, 26 Jun 2000 08:57:33 -0400
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From:         Tracey Morsek <MORSEK@LBPH.CLPGH.ORG>
Subject:      Re: Dragons

Sophia,

While trying to figure out the order of the Pern books for
myself, I came across the following statement at the
beginning of ALL THE WEYRS OF PERN:
"The author respectfully suggests that books in the Pern series
be read in the order in which they were published."

This would be, I believe,
        DRAGONFLIGHT
        DRAGONQUEST
        THE WHITE DRAGON
        MORETA
        NERILKA'S STORY
        DRAGONS DAWN
        THE RENEGADES OF PERN
        ALL THE WEYRS OF PERN
        THE CHRONICLES OF PERN
        THE DOLPHINS OF PERN
        DRAGONSEYE


I read them that way... and enjoyed them a lot.  In fact, by reading in
this order, I may have gotten more of what McCaffrey had to say about
history and myth and forgotten technology, since as a reader, I wasn't
sure what was forgotten.

But no matter what order you use, enjoy!

Tracey

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Date:         Mon, 26 Jun 2000 16:42:13 +200
Reply-To:     hedgepig@cheerful.com
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From:         fiona wade <12838322@RGO.SUN.AC.ZA>
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Hi all - I've been listening with a lot of interest for some time now,
but haven't read any of the books up til now.

I agree that Anne McCaffrey is not a Feminist Writer, but when I
read Dragonflight for the first time, probably around 11, it knocked
my socks off.  After growing up on Lord of the Rings and Narnia
and that kind of fantasy, it was a revelation to have this girl turn out
to be incredibly powerful and cool, and the focus of the book.
Okay fine, on re-reading it through teenage-hood, I started to pick
up on the slushy romance, and fairytale aspects of the book (or
'pseudo-rapist' - hadn't thought of that before!), but there are mush
worse ways to be introduced to strong women in fantasy.  I guess
a lot of women are looking for 'strong' role models who can still get
a guy, and be appropriately feminine, so I think these books do
fulfill that.  Although...does anyone on Pern remember who Moreta
was married to?  And Menolly (the Dragonsinger trilogy) is
remarkable for her stubborn independence in a restrictive (male)
environment...and I can't even remember if she ended up With
anyone, so it couldn't have been tooooo integral to the plot.

I think you can read them less as Feminist Novels than as
alternative worlds where other possibilities of in/equality between
the sexes (and races) are explored.  Like most of alternative world
fantasy, the estrangement from our own world makes us realize
the blindingly obvious in our own (like the pseudo-rapist idea).

Fiona Wade

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Date:         Mon, 26 Jun 2000 10:56:06 -0400
Reply-To:     feldsipe@erols.com
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From:         feldsipe <feldsipe@EROLS.COM>
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Hi Everybody--

Just a note to let you know I have a new story on Scifi.com called The
Cure For Everything.  They gave me a good blurb---"...a woman with a rare
illness meets a group of remote, indigenous tribespeople who hold the cure
for disease,
and the fate of the world, in their hands. "

http://www.scifi.com/scifiction/

While you're there, check out my website (just up!) by clicking on
Severna Park. You get a cute little pop-up menu (with my glamorous
photo) and a link.

Let me know what you think!
Yours,
Suze/Severna

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Date:         Mon, 26 Jun 2000 08:07:51 -0700
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From:         Maryelizabeth Hart <publicity@MYSTGALAXY.COM>
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Subject:      Jo Clayton
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::sigh:: my hero! How I miss her... Wonderful at writing from just about
any view point -- male , female, other, human, other, etc. Anyone ever
hear about a release date for her final novel from Tor?

Maryelizabeth



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Date:         Mon, 26 Jun 2000 13:06:03 -0500
Reply-To:     Joanne Campbell Tidwell <tidwejo@mail.auburn.edu>
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From:         Joanne Campbell Tidwell <tidwejo@MAIL.AUBURN.EDU>
Subject:      Re: Anne McCaffrey
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Hello all!

        I've been lurking through much of this discussion, and I've been
very interested in everyone's comments.

> I agree that Anne McCaffrey is not a Feminist Writer, but when I
> read Dragonflight for the first time, probably around 11, it knocked
> my socks off.  After growing up on Lord of the Rings and Narnia
> and that kind of fantasy, it was a revelation to have this girl turn out
> to be incredibly powerful and cool, and the focus of the book.
> Okay fine, on re-reading it through teenage-hood, I started to pick
> up on the slushy romance, and fairytale aspects of the book (or
> 'pseudo-rapist' - hadn't thought of that before!), but there are mush
> worse ways to be introduced to strong women in fantasy.  I guess
> a lot of women are looking for 'strong' role models who can still get
> a guy, and be appropriately feminine, so I think these books do
> fulfill that.  Although...does anyone on Pern remember who Moreta
> was married to?  And Menolly (the Dragonsinger trilogy) is
> remarkable for her stubborn independence in a restrictive (male)
> environment...and I can't even remember if she ended up With
> anyone, so it couldn't have been tooooo integral to the plot.
>

        Anne McCaffrey makes no claims at being a feminist; there's an
interview linked to her DelRey site (main publisher) in which she states
that she is not.  I recently presented a paper on McCaffrey's feminism,
and in doing the research, I emailed her directly, also through the DelRey
site.  She told me that she does not consider herself a feminist "in the
true sense of the word as it was defined in the 60s."  She likes to look
at her characters as interesting people and not specifically as men or
women.

<spoiler>

        Moreta wasn't "married" to anyone, but she was Weyrwoman with
Sh'gall by virtue of their dragons' mating flight.  She fell in love with
and had a brief affair with Alessan, the Lord Holder of Ruatha Hold.
Marriage isn't really an option for dragonriders, which I think is quite
interesting.  Menolly eventually ends up married to Sebell, and they have
several children, but that's well beyond the scope of the Harper Hall
books.  She's kind of second-in-command behind Sebell when he takes over
as Masterharper.  Romance is not the issue at all in Dragonsong and
Dragonsinger; Menolly is worried about music.

        One thing I think is key to the McCaffrey discussion is a
realization of when the first Pern books were published.  I think
McCaffrey is more interested in the role of the outsider overall, and if
gender becomes part of that, then so be it, but that's not her focus by
any means.

Joanne Campbell Tidwell

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Date:         Mon, 26 Jun 2000 13:23:31 -0500
Reply-To:     Feminist SF/Fantasy and Utopia Literature ON TOPIC
              <FEMINISTSF-LIT@LISTSERV.UIC.EDU>
Sender:       Feminist SF/Fantasy and Utopia Literature ON TOPIC
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From:         Todd Mason <Todd.Mason@TVGUIDE.COM>
Subject:      CHICKEN RUN is a surprisingly (or not) feminist fantasy.
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At least to the extent that the driving force and all-'round mastermind of
the escape attempts of the various chickens is a confident, intelligent hen
named Ginger.  Even the advent of a rooster who promises to help doesn't
dislodge her primacy, nor minimalize the group efforts of the mostly-hen
assembly.

Atop all else, the typical Ardman Studio wit and deftness is very much in
evidence.
Heartily recommended.

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Date:         Mon, 26 Jun 2000 15:59:02 EDT
Reply-To:     Feminist SF/Fantasy and Utopia Literature ON TOPIC
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Sender:       Feminist SF/Fantasy and Utopia Literature ON TOPIC
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From:         Kathleen Friello <Unovissf@AOL.COM>
Subject:      Re: CHICKEN RUN is a surprisingly (or not) feminist fantasy.
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Agree wholeheartedly that this was great fun, with a "woman's touch" (movie
joke). To nit-pick pedantically, Ginger (heroine) is the slimmest chick of
the flock, next to the engineer, Mac (whose role so confused the Ardman folks
themselves, apparently, that she's identified as "he" on their official site
where the characters are discussed: see the Hatching of Chicken Run
http://www.aardman.com/showcase/chick_fr.html). The fattest hens are the
butter-brained Babs and the pushy, nay-saying, high-yield egg-layer Bunty. On
the other hand, the vile Mrs. Tweedy is thin as a stick. Also, the hens are
refreshingly unmaternal, the eggs are only a commodity they produce to
justify staying alive, and baby chicks, when they make an appearance, appear
just as an audience for Fowler (elderly rooster) and Mac. "Not a chick flick"
is one of the movie's advertising slogans. I think these are the best female
characters Nick Park has come up with since "Creature Comforts."

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Date:         Mon, 26 Jun 2000 22:42:57 -0400
Reply-To:     Amy Harlib <aharlib@worldnet.att.net>
Sender:       Feminist SF/Fantasy and Utopia Literature ON TOPIC
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From:         Amy Harlib <aharlib@WORLDNET.ATT.NET>
Subject:      Chicken Run: Hatching the Movie by Brian Sibley     Book Review
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As a companion to this delightful movie, there is a book I was very
fortunate to receive free as a review copy.  Please allow me to share it
with you.  This review will be posted at a big new website for which I will
be a featured SF & F book reviewer:  SciFiNow.com which goes live on July 1.
Hope to see you all there too!  Thank you all!     Amy
--
Amy Harlib
aharlib@worldnet.att.net
Chicken Run: Hatching the Movie by Brian Sibley (Harry N. Abrams,
Publishers, NY, June 2000, $35, hardcover, ISBN#: 0-8109-4124-4).
Brian Sibley, journalist and well-known BBC radio personality is responsible
for writing this beautifully packaged, large-format, coffee-table type book
about the making of the eagerly-awaited first feature film from Aardman,
England's innovative animation studio.
It's well nigh impossible to write about this project without succumbing to
the lure of horrible puns, but fans of Aardman's popular Academy
Award-winning Wallace and Gromit short films will cackle with glee as they
fly to their nearest bookstore to shell out the not 'poultry' sum of $35
bucks to find their prize is not chicken feed and worth every penny!
Chicken Run: Hatching the Movie, illustrated with hundreds of photos, 2/3 of
them in color: production stills; behind-the-scenes shots; portraits of all
the major personalities involved plus loads of conceptual sketches and
storyboard drawings---is a sort of everything you ever wanted to know about
this film but was afraid to ask, for there's plenty of text too.
Chicken Run's directors, Nick Park and Peter Lord, the premier doyens of
stop-motion animation of three-dimensional puppets, use this painstakingly
precise, delicate and slow art-form to create memorable, eccentric
characters, swift-paced and wildly inventive plots, and exceedingly amusing
situations.  Chicken Run, (think of 'Great Escape from Stalag 17' with
chickens), is set on the English farm of Mr. and Mrs. Tweedy and is about
how a hen named Ginger leads an intrepid band of poultry in repeated escape
attempts.  Events reach crisis proportions, signaling immanent doom for the
flock when the Tweedys acquire a machine that makes chicken pies.  Just in
the nick of time, an American rooster named Rocky arrives on the scene, a
feisty ex-circus performer who seems to be able to fly and is persuaded by
Ginger to teach this desirable skill to her fellow prisoners and lead a
daring escape.
In addition to a summary of Chicken Run's plot, the book offers: a brief
history of Aardman Studios; an account of the evolution of the concept of
Chicken Run; a revealing look at the modus operandi of the directors and the
highly skilled artists in their employ, showing how this extremely ambitious
film is made (at the rate of 4 seconds per day per animator).  An appendix
includes the complete credits.  Author Sibley, in clear, concise prose
devoid of gushing or over-effusiveness, uses extensive interviews to recount
how the movie evolved from an idea doodled in a sketchbook to a fully
realized feature, revealing the secrets of the model-making shop, the
set-design shop and the animation studios---all this profusely illustrated
as mentioned previously.  The talented actors who supplied the voices also
get their fair share of interviews too in this splendid volume which film
buffs, chicken fans, animation enthusiasts and anyone curious about the
creative process involved in producing a stop-motion animated movie will
treasure.  It's the next best thing to being there every day contructing and
playing with model chickens for 3 years!

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Date:         Tue, 27 Jun 2000 01:02:31 EDT
Reply-To:     Feminist SF/Fantasy and Utopia Literature ON TOPIC
              <FEMINISTSF-LIT@LISTSERV.UIC.EDU>
Sender:       Feminist SF/Fantasy and Utopia Literature ON TOPIC
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From:         Sophia Hegner <SophiaDHM@AOL.COM>
Subject:      Re: Dragons
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In a message dated 06/25/2000 5:13:22 PM Pacific Daylight Time,
helcat@SFF.NET writes:

>  I
>  strongly suggest you read the ninth pass books first.

Thanks for the advice! This is immensely helpful.

:) Sophia

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Date:         Tue, 27 Jun 2000 01:32:30 EDT
Reply-To:     Feminist SF/Fantasy and Utopia Literature ON TOPIC
              <FEMINISTSF-LIT@LISTSERV.UIC.EDU>
Sender:       Feminist SF/Fantasy and Utopia Literature ON TOPIC
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From:         Sophia Hegner <SophiaDHM@AOL.COM>
Subject:      Re: Dragons
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I would just like to thank everyone who has offered a helpful hint as to what
order I should read the books in. I appreciate all or your time and
consideration, and when I'm more of a Pern expert, I promise to write again
to discuss the feminist aspects (or lack thereof)!

:) Sophia

*************************************************
A man said to the universe:
"Sir, I exist!"
"However," replied the universe
"The fact has not created in me
A sense of obligation."

By Stephen Crane

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