From LISTSERV@LISTSERV.UIC.EDU Thu Jul 12 20:26:44 2001
Date: Mon, 9 Jul 2001 07:39:56 -0500
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To: Laura Quilter <lquilter@FEMINISTSF.ORG>
Subject: File: "FEMINISTSF-LIT LOG0008A"

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Date:         Thu, 3 Aug 2000 18:17:14 -0800
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From:         Allyson Shaw <allyshaw@EARTHLINK.NET>
Subject:      Re: Emma Donoghue
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I just wanted to thank whoever nominated the Donoghue book-- I loved it.
I wished I had that book when I was a teenager.  I think it would have
really given me some valuable information.  It was celebratory without
being didactic.  And it was lovely.

I tried to read The Gilda Stories, but couldn't get past the passive
scenes and wooden prose. I really wanted to like it, because the premise
was brilliant.

Looking forward to future discussions.
--Allyson

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Date:         Fri, 4 Aug 2000 11:09:26 -0400
Reply-To:     rudileon@earthlink.net
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From:         Rudy Leon <rudileon@EARTHLINK.NET>
Organization: Syracuse University
Subject:      OT: Librarians
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Hello there.  I'm very sorry for the OT on this strictly on-topic list,
but it's been very quiet, and I hope i'll be forgiven :)

I am considering pursuing an MLS, and if memory serves, there are
an enormous number of librarians on this list -- but that may have
been before the lists split. I'm hoping that some of us who are
librarians would be willing to contact me off-list, to discuss the
field, the education, career info, etc...

Thanks! and back to your regularly scheduled on-topic discussions



~*~*~*~*~*~*~*~*~*~
Rudy Leon
PhD student
Dept. of Religion
Syracuse University
rudileon@earthlink.net
~*~*~*~*~*~*~*~*~*~

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Date:         Fri, 4 Aug 2000 11:30:28 -0400
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From:         Rudy Leon <rudileon@EARTHLINK.NET>
Organization: Syracuse University
Subject:      feminism in harry potter and pern
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and just to make up for my breach of topicality, I'll throw in an on-
topic question as well!

(May contain spoilers for Pern, far below)

I have recently finished my first foray into Pern, via the Dragonriders
of Pern trilogy (Dragonflight, Dragonquest, and The White Dragon).
I've also just finished the 4th Potter book.  I've heard conversations
in other forums about the feminism of the Potter-verse -- about
which I have strong feelings, but am willing to listen to other views! -
- but I've never heard much about Pern and feminism.  Of course, I
never paid much attention before, since I had never read McCaffrey,
and never thought I would.  I'd love to discuss Potter here, if
someone wants to pick this up, but I'll leave that open.  I get the
feeling many folks feel Potter'ed out, and would hate to inflict that
further if no one wants to play!

On to Pern:  Since folks talk about Anne McCaffrey (AM) on this
list, my assumption had been that her work would be considered
feminist.  I found it to be considerably not the case.  In fact, the
faint patina of a pro-feminist overlay (The Power of Lessa in the first
book) on such a patently anti-feminist universe is really
bothersome to me.  The people of Pern are descended from very
modern Us, with women on board and supposedly of equal status,
yet the world declines to a feudal medievalism, replete with
misogyny and the degradations of women abound.  Why does AM
make this choice?  and why does she fail to recognize the position
women on Pern are in?  Their absence of power, reverse mirrored
by the power of The DragonMen and GuildMen and Lords, and the
powerlessness of women in the Weyrs, just continues further
underlines the absence of feminism on Pern.  And then we have all
the truly unpleasant women on Pern, although there are perhaps an
equal number of unpleasant men.  However, Lessa is the only
Queen rider of decency.  The rest are just selfish and/or evil.  In the
White Dragon, the bard and the two nursesfolk are good women,
but mostly we see this though their housekeeping and caretaking
skill, although there is an assumption of intelligence because the
Harpermaster finds them worthy of special tasks.

Am I just being overharsh?  Is there a reason to keep reading the
series?  I find the universe compelling, but being constantly
polarized by enjoyment/distaste is pretty tough after a while! I hate
being sucked into something I find distasteful, so I'd loved to be
talked out of seeing Pern this way!



~*~*~*~*~*~*~*~*~*~
Rudy Leon
PhD student
Dept. of Religion
Syracuse University
rudileon@earthlink.net
~*~*~*~*~*~*~*~*~*~

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Date:         Fri, 4 Aug 2000 14:00:43 -0500
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From:         Chris Shaffer <chris@BSINC.NET>
Subject:      Re: OT: Librarians
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Note from listowner -

All off-topic messages should be posted on FEMINISTSF.  The FEMINISTSF-LIT
list is for on-topic messages only.

See http://www.exo.net/~lauraq/femsf/listserv/ for more information.
-----
You see, I don't believe that libraries should be drab
places where people sit in silence and that's been the main
reason for our policy of employing wild animals as
librarians.  --Monty Python
Chris Shaffer     http://www.uic.edu/~shaffer/
chris@bsinc.net   AIM:ChrisShaff

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Date:         Fri, 4 Aug 2000 13:24:50 -0700
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From:         Cera Kruger <diony@IDIOM.COM>
Subject:      Re: feminism in harry potter and pern
Comments: To: rudileon@EARTHLINK.NET
In-Reply-To:  <200008041730.KAA11059@snipe.prod.itd.earthlink.net> from "Rudy
              Leon" at Aug 04, 2000 11:30:28 AM
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Rudy Leon writes:
>
>(May contain spoilers for Pern, far below)

At this point it almost certainly contains Pern spoilers, not
so far below anymore.

>And then we have all the truly unpleasant women on Pern, although there
>are perhaps an equal number of unpleasant men.  However, Lessa is the
>only Queen rider of decency.  The rest are just selfish and/or evil.
>In the White Dragon, the bard and the two nursesfolk are good women,
>but mostly we see this though their housekeeping and caretaking skill,
>although there is an assumption of intelligence because the Harpermaster
>finds them worthy of special tasks.

I wouldn't call Brekke (the queen rider who ends up paired with F'nor)
evil, but certainly all her goodness is shown through her typically
'feminine' skill of caretaking and her strong maternal instincts.

In later books there a character named Menolly takes center stage; she
is a woman who wants to be a Harper, which is considered a 'man's job'.
Her story is the most feminist of McCaffery's Pern writings in my mind,
but it doesn't hold up in the long run -- I'm not going into details
here in case you decide you want to read the trilogy focused on her
(Dragonsong, Dragonsinger, Dragondrums).

>Am I just being overharsh?  Is there a reason to keep reading the
>series?  I find the universe compelling, but being constantly
>polarized by enjoyment/distaste is pretty tough after a while! I hate
>being sucked into something I find distasteful, so I'd loved to be
>talked out of seeing Pern this way!

I don't think you're being overly harsh at all, unfortunately.  When I
was thirteen I absolutely adored the Pern books, but now (at twenty-four)
I find them fairly distasteful as well.  McCaffery has stated in several
different online interviews that she is not a feminist and does not
consider her work feminist, and what she's shared about the cosmology
(I'm not sure that's the correct word) of Pern just reinforces her
non-feminist stance.  For instance: In order to become a queen rider a
woman must be "fully female" (McCaffery's words), which is to say she
must be heterosexual.  Dragon-rider pairs are sex linked, and most women
don't ride the green fighting dragons for a combination of historical
reasons and because they don't have the temperaments to handle it.
(Note that the one woman in the books who ends up on a green dragon is
portrayed as very harsh towards others, although she is a sympathetic
character.) Another example: Queen riders also tend to have strong
caretaking instincts, as their role is to take care of the Weyr while
their male partner handles the fighting aspects.  There's something to
be said for the glorification of 'women's work', but I don't think it
really balances out.


-- Cera


--
Cera Kruger -++- diony@idiom.com -+- http://www.requiem.com -++- SFLAaE/BS
"And it's alright if you hate that way / hate me cause I'm different /
hate me cause I'm gay / Truth of the matter come around one day / so
it's alright." -- Emily Saliers (Indigo Girls' _Shaming of the Sun_)

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Date:         Fri, 4 Aug 2000 17:25:41 -0400
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From:         "Nina M. Osier" <mbarron@MINT.NET>
Subject:      Re: feminism in harry potter and pern
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I think that McCaffrey believes it's inevitable for Pern's women to
lose their power, as the settlers lose their technology and forget
their origins.  She does, after all, belong to my mother's generation;
and in the earlier Pern books, she was writing decades ago before
there were such people as women fighter pilots and women sword boat
captains.

With that said, though - my generation hasn't proved her wrong.  In
1998 an ice storm took out the entire power grid in my state,
naturally at mid-winter.  I didn't see a single female worker among
the crews who reconstructed that grid, setting poles in solid-frozen
ground and replacing 100,000 miles of power lines over a period of
about two weeks.  Is it easier for men to do that work than for women,
physically speaking?  Sure.  But think about it.  How long would it
take, if a life-threatening emergency affected an entire society as
"Thread" did on Pern, for traditional gender roles to make the kind of
comeback that they do in McCaffrey's fiction?

After watching what happened around me during the Ice Storm of '98, I
have a lot more trouble calling her wrong than I used to have.

(Excuse me, Rudy - I'm getting used to new e-mail software, and I
meant to
send this to the list in the first place.)

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Date:         Fri, 4 Aug 2000 18:17:48 -0400
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From:         Allen Briggs <briggs@NINTHWONDER.COM>
Subject:      Re: feminism in pern
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Cera Kruger wrote:
> I don't think you're being overly harsh at all, unfortunately.

I think, as with any book, you have to look at the author's
spatial-temporal-cultural position.  The first pern books/stories
were written more than a quarter century ago.  If I'm not mistaken,
McCaffery is from the UK--which (as a society) has rather different
views on gender roles and feminism than, say, the average (if there
is such a thing) north-american.  Also, I don't think one can take
the author's POV on whether or not she (or he ;-) is a feminist--the
word carries so much baggage and extra meaning that the interviewer
and the interviewee could have entirely different notions of what
a "feminist" is.

One must also, I think, talk about which aspects of feminism the
books portray (or not).  Feminism is complex (and sometimes
self-contradictory), so it's hard to label a book entirely "feminist".
I think that feminism is also on a sliding scale.  What I mean is
that I think that if a book or story pushes the reader outside of
the norm toward some unknown "pure" feminist state of consciousness
or understanding, then you could say that the aspect of the story
that does this is feminist in nature.  The distance that the reader
is derailed from the norm toward the "pure" is how I would gauge
the "radicalness"(?) of the feminism.  This means that how feminist
some aspect of a story is (if it's written well and persuasively,
and the reader integrates the philosophy into her (or his) "psyche"
(for lack of a better word)), will change on further readings--presumably
being "less radical".

So, I think you could label aspects of the pern series mildly
feminist for the average reader of right now or perhaps somewhat
more feminist for the average reader in the times and places in
which they were published.

I'm sorry if this is obvious (or nonsensical) to everyone else,
but it kinda usually works for me.  :-)

-allen

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Date:         Fri, 4 Aug 2000 23:28:26 +0100
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From:         Lesley Hall <lesleyah@PRIMEX.CO.UK>
Subject:      Re: feminism in pern
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.  If I'm not mistaken,
>McCaffery is from the UK--which (as a society) has rather different
>views on gender roles and feminism than, say, the average (if there
>is such a thing) north-american.

You are mistaken. McCaffery's bio notes in her books place her as American,
or at least was largely educated and spent most of the earlier part of her
life  there, though I believe she now lives in Ireland. I find your
statement about UK views on gender roles and feminism curious....
Lesley Hall
lesleyah@primex.co.uk
website http://homepages.primex.co.uk/~lesleyah

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Date:         Fri, 4 Aug 2000 20:19:04 -0500
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From:         Robin Reid <Robin_Reid@TAMU-COMMERCE.EDU>
Subject:      Re: feminism in harry potter and pern
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>Rudy posted:  On to Pern:  Since folks talk about Anne McCaffrey (AM) on this
>list, my assumption had been that her work would be considered
>feminist.

By some readers perhaps --there's no single consensus on what makes a work
'feminist' or not.  Many readers who find empowerment in reading books that
I consider NOT feminist at all could make an argument for the work to be
feminist.

I don't consider McCaffrey's work particularly feminist in any
regard.  However, for years, before more and more women began publishing, I
read what she wrote.  For one thing, she did have more female characters
than a lot of the SF writers back then (I remember reading the short story
that began the whole Lessa story at a fairly early age -- 12 maybe?).  I've
had students who love her work for its' powerful women.

I particularly love her sense of the bonding between rider and dragon in
the Pern series; I LOVE the dragons.  I wanted one.  I like her character
Menolly in the Harper Hall trilogy.

I finally gave up somewhat in disgust when undercurrents in the earlier
works became blatant in the Crystal Singers series:  specifically, what I
consider to be the author's overwhelming elitism. The reason I don't
consider AM feminist (while admitting other readers may find her work
vastly different) is that she seems to be imbued by the Exceptional Woman
bug, something not uncommon for women who made it in male-dominated fields
in earlier decades (as McCaffrey herself did, I suppose).  So you'll have
one woman in a book who is totally Powerful, Top of the Line, OutBrilliants
everyone else -- and she's the Queen Bee.  However, that female character
rarely has female friends (do ANY of her female characters have female
friends?), and there's no consideration of women in "lesser
positions."  The position of women on Pern generally -- perhaps somewhat
worse in the Holds but not all that great if you're one of the serving
women in the Weyrs it seems to me -- isn't Lessa's concern (or the
author's).  The one book where she seemed to TRY to deal with class issues
("Outsiders of Pern") was, I thought, dreadful.

To be fair, I've heard a paper or two (ICFA I think) that argued that
McCaffrey, in showing what happens to women when the technologically
advanced colonists regress to 'medieval' situations, is making a feminist
argument.  But I doubt that was her intention from the start -- I don't
know just how much of the "lost colony" stuff she had in mind when she
started writing what looked like a fantasy.

But the problems with her female characters remain for me no matter what
the technological issue.  The Exceptional Woman in real life (and there are
a number in academia, my field) seems to often hold the opinion that Talent
is what got her there -- and anyone who is talented enough will suceed --
but in practice often makes sure other women do not succeed.

Her heterosexism (given that she sets up the idea that riders mate when
dragons mate, but there's only one dragon queen rider per Weyr and LOTS of
male riders (and why can't more women than the one impress a Green or
Brown???) is a problem.  As is the prose describing some of the sexual
intercourse
scenes (reek of the romance rape approach -- McCaffrey has also published
romances under another name) -- that is, the Woman is Overpowered by the
Man without her consent, but she ends up loving it.  Sorry, I don't know
why so many capitals are sneaking into the message.

Robin

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Date:         Sat, 5 Aug 2000 08:49:10 -0400
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From:         "Nina M. Osier" <mbarron@MINT.NET>
Subject:      Re: feminism in harry potter and pern
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Good point about the "exceptional woman" in McCaffrey's work.  A
thought:  as an SF writer 25 years ago, perhaps she was concerned
(consciously or not) with making her books accessible to readers who
wouldn't have wanted to see powerful women unless their presence was
explained?  To take away the threat they would otherwise represent?

Much as those "romantic rape" scenes you mention irritate me, I still
grabbed a copy of "Damia's Children" off a used book cart recently.
Now if I could only get time to read it!

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Date:         Sat, 5 Aug 2000 18:57:22 -0500
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From:         Todd Mason <Todd.Mason@TVGUIDE.COM>
Subject:      Thought inspired by listening to X MINUS ONE at scifi.com
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Just listened to the X MINUS ONE version of "The Snowball Effect" by
Katherine MacLean, which also featured an ad for an NBC music program
featuring the Claude Thornhill and Lionel Hampton bands.  Would that any
broadcast service aside from some college radio would keep up, so to speak,
as well as that today.

The adaptation of Evelyn E. Smith's "Competition" features such a naked
misogyny on the part of its characters that one wonders exactly how to take
it (the condescension toward the women in "Snowball" is gives way to biters
bit). Wow...Smith knew how to revel in that uncomfortable space around
gender-power issues, to judge from this and some of her fiction unmediated
(except by Gold's editorial pen) I've read.  Reminiscent of what Thomas
Disch was quoting (in HUDSON REVIEW), iirc, in his recent review of a Mary
McCarthy bio...the alienation that McCarthy and her contemporary women
writers in the circles around PARTISAN REVIEW et alles felt from resurgent
feminism, as if treating with the abuse they suffered was their necessary
lot or the price they should have to pay for daring to have intellectual
lives, at very least public ones.  And, of course, the sufferings of women
characters in their fiction and some of the other fiction of the time, very
much including some of the romance fiction...oh, well, it's always sobering
to go back and see the rage.

Back when expressing it openly wasn't fashionable at all.

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