From LISTSERV@LISTSERV.UIC.EDU Thu Jul 12 20:26:07 2001
Date: Mon, 9 Jul 2001 07:39:58 -0500
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To: Laura Quilter <lquilter@FEMINISTSF.ORG>
Subject: File: "FEMINISTSF-LIT LOG0009A"

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Date:         Sun, 3 Sep 2000 23:58:16 -0800
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From:         Sharon Anderson <shander@CDSNET.NET>
Subject:      Re: Promised One
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Does Buffy the Vampire Slayer count?  How about Xena, Warrior Princess?  And
what about that new one, Witchblade?

        I realize that none of these are print media, but do they count?

---s

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Date:         Mon, 4 Sep 2000 08:29:18 EDT
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From:         Phoebe Wray <Zozie@AOL.COM>
Subject:      Re: Promised One
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How about Elizabeth's Moon's Waking the Moon?  Ancient Chaos goddess realized
in a contemporary archaelogist?  And, yes, I'd say Witchblade counts, since
the power has to find a *promised one* to establish itself.

best,
phoebe W

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Date:         Tue, 5 Sep 2000 10:43:30 0100
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From:         Petra Mayerhofer <mayerhof@USF.UNI-KASSEL.DE>
Subject:      BDG SINGER FROM THE SEA
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This month the BDG book is _Singer from the Sea_ by Sheri
Tepper. Some list members have already started the discussion on
the parallel list. I forward these messages below.

Petra

------- Forwarded message follows -------
Date sent:              Mon, 4 Sep 2000 10:42:00 -0700
Send reply to:          "For discussion of feminist SF, fantastic & utopian literature"
                <FEMINISTSF@LISTSERV.UIC.EDU>
From:                   Maryelizabeth Hart <publicity@MYSTGALAXY.COM>
Organization:           Mysterious Galaxy
Subject:                [*FSFFU*] SINGER FROM THE SEA
To:                     FEMINISTSF@LISTSERV.UIC.EDU

I liked this a lot, although since I'm already on to the next Tepper
(THE FRESCO, due in December) I confess it's not as clear in my head as
it might be. A lot of familiar Tepper themes (women and the environment
saving the planet from men and war and stupidity). I liked the
underground culture a lot.

Hope this sparks some discussion!

Maryelizabeth


--
---

Maryelizabeth Hart
Publicity Manager

*******************************************************************
Mysterious Galaxy Books                   Local Phone: 858.268.4747
7051 Clairemont Mesa Blvd, Suite 302           Fax: 858.268.4775
San Diego, CA 92111            Long Distance/Orders:
1.800.811.4747
http://www.mystgalaxy.com    General Email:
mgbooks@mystgalaxy.com

*******************************************************************



Date sent:              Mon, 4 Sep 2000 14:11:11 -0400
Send reply to:          "For discussion of feminist SF, fantastic &
utopian literature"
                <FEMINISTSF@LISTSERV.UIC.EDU>
From:                   Dianne Kraft
<103234.3341@COMPUSERVE.COM>
Subject:                [*FSFFU*] SINGER FROM THE SEA
To:                     FEMINISTSF@LISTSERV.UIC.EDU

Hi everyone,
delurking to talk about Tepper -- I liked "Singer ...", but one
problem I
had with it was that so many generations of women on the planet
had just
given in and let stuff happen to them.   And it''s justified by saying
that
their ancestors had given up their rights and freedom in order to live
"decently" on that planet.   Is that realistic?  Is that what happened
here?

Dianne Kraft




Date sent:              Mon, 4 Sep 2000 19:43:51 -0400
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utopian literature"
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From:                   Lydia Lynsdaughter <gadfly@BEEN-
THERE.COM>
Subject:                [*FSFFU*] Singer from the Sea
To:                     FEMINISTSF@LISTSERV.UIC.EDU

I enjoyed Singer from the Sea except that sometimes the main
character drove me just about crazy.  In some ways, she was such
a diz-brain!

When she was traveling in 'commonfolk' disguise, she kept putting
her foot in her mouth (and putting everyone in danger) with remarks
about having had dinner with the countess or repeating something
that a duke had said to her.

When they took her to spy on the 'ritual', they warned her not to
make any noise as she would be putting them ALL in danger, and
through the whole thing, she struggled and tried to make noise!

I kept wanted to scream, 'Get it together, chickie!'  I just found
those parts really annoying.

Lydia


Petra Mayerhofer
mailto:mayerhofer@usf.uni-kassel.de
--
BDG website
http://www.geocities.com/Area51/Comet/1304/

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Date:         Tue, 5 Sep 2000 11:20:04 -0400
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From:         Misha Bernard <mbernar1@OSF1.GMU.EDU>
Subject:      FSFFU-lit: scientific basis of SF
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Hi all, two questions
        Does anyone know of any geneticists who also write SF?
        Or any writer who specifically identifies a scientific article or
theory as their starting point for a short story or book OTHER than
Melissa Scott's use of Anne Fausto-Sterling's article "The Five Sexes" in
the April/May 1993 The Sciences as the originary point of _Shadow Man_?
        thanks
misha


Misha Bernard                           Cultural Studies PhD student
mbernar1@gmu.edu                        George Mason University

-------------------------

-mmmm! tastes like a scratch world! but it's Bishop Berkeley's Cosmo Mix!-
                        Ursula K. Le Guin "World Making" (1981)

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Date:         Mon, 4 Sep 2000 11:25:38 -0400
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From:         Amy Harlib <aharlib@WORLDNET.ATT.NET>
Subject:      Re: Promised One
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That's Elizabeth HAND!  And It's a good one!     Amy

> How about Elizabeth's Moon's Waking the Moon?  Ancient Chaos goddess
realized
> in a contemporary archaelogist?  And, yes, I'd say Witchblade counts,
since
> the power has to find a *promised one* to establish itself.
>
> best,
> phoebe W
>
> ------------------------------------------------------
> This is the FEMINISTSF-LIT listserve, intended only for
> discussion of feminism and Speculative Fiction.  To
> unsubscribe from this listserve, send a message to
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>
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Date:         Tue, 5 Sep 2000 09:32:24 -0700
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From:         Maryelizabeth Hart <publicity@MYSTGALAXY.COM>
Organization: Mysterious Galaxy
Subject:      BG:  Singer from the Sea
Comments: To: "For discussion of feminist SF, fantastic & utopian literature"
          <FEMINISTSF@LISTSERV.UIC.EDU>
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Actually, Lydia, I thought this was interesting as Tepper presented her as someone who'd assimilated a fair amount of social conditioning and was also somewhat a creature of impulse. Making her struggle to overcome some of her own
flaws part of the struggle, instead of just having her struggle against outside forces.

FWIW,

Maryelizabeth


Lydia Lynsdaughter wrote:

> I enjoyed Singer from the Sea except that sometimes the main character drove me just about crazy.  In some ways, she was such a diz-brain!
>
> When she was traveling in 'commonfolk' disguise, she kept putting her foot in her mouth (and putting everyone in danger) with remarks about having had dinner with the countess or repeating something that a duke had said to her.
>
> When they took her to spy on the 'ritual', they warned her not to make any noise as she would be putting them ALL in danger, and through the whole thing, she struggled and tried to make noise!
>
> I kept wanted to scream, 'Get it together, chickie!'  I just found those parts really annoying.
>
> Lydia
>

--
---

Maryelizabeth Hart
Publicity Manager

*******************************************************************
Mysterious Galaxy Books                   Local Phone: 858.268.4747
7051 Clairemont Mesa Blvd, Suite 302           Fax: 858.268.4775
San Diego, CA 92111            Long Distance/Orders:
1.800.811.4747
http://www.mystgalaxy.com    General Email:
mgbooks@mystgalaxy.com

*******************************************************************

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Date:         Mon, 4 Sep 2000 12:45:33 -0400
Reply-To:     Feminist SF/Fantasy and Utopia Literature ON TOPIC
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From:         Amy Harlib <aharlib@WORLDNET.ATT.NET>
Subject:      Re: The Promised One              The Wild Angel      Book Review
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    OK folks---I just read this one and although the protagonist is not a
prophesied or chosen one, she is definitely a  strong and heroic character.
This review will be posted at a forthcoming SF Site, rambles.net,
scifinow.com and Blue Iris Journal  review website (I review for all these
regularly), but you are reading it first!  Thanks for letting me share.
Amy
aharlib@worldnet.att.net
The Wild Angel by Pat Murphy (Tor Books, NY, Aug. 2000, $23.95, hardcover,
ISBN#: 0-312-86626-7).
Pat Murphy's latest novel The Wild Angel, (also credited as by Mary Maxwell
by Max Meriwell in a playful authorial pseudonymous experiment), is the
second in a trio of tales paying homage to great classics of imaginative
fiction.  The first, 'There and Back Again', was a loving pastiche of
Tolkien's The Hobbit re-worked as a space opera.  This one is faithful to
the spirit of Edgar Rice Burrough's Tarzan tales and Rudyard Kipling's
Jungle Book Mowgli stories with a hefty nod to Mark Twain who is quoted in
every epigraph for each chapter.  The resulting yarn, a delightful
cross-genre mix with elements of mystery, western and fantasy/adventure
infused with a feminist sensibility, is also a wolf-girl saga that nicely
complements the entirely independent Nadya: The Wolf Chronicles (1996).
In Gold Rush California (1850), hopeful settlers Rachel and William McKenzie
have their dreams cut short when they are murdered by the ruthless robber
Jasper Davis in their camp not far from the boomtown of Selby.  Their 3 year
old daughter Sarah, by hiding in a cave, avoids death, finding her survival
depends upon the wolf pack led by the she-wolf Wauna that adopts her.  Like
her special wolf-companion Beka, one of Wauna's offspring, Sarah grows wild,
strong, healthy and wary of humans for many years until a chance encounter
and resulting friendship with Malila, a young Miwok Indian woman and shaman
who shows her that not all people are to be feared.

Meanwhile, evidence of the crime is discovered by writer/artist Max Philips,
but the perpetrator remains unknown.  Max, loving to camp and sketch in this
wilderness area, as the years pass, occassionally glimpses Sarah, who is
becoming known as the Wild Angel for her beauty, spectacular red hair and
kindness to distressed travelers.  Gradually Max gains Sarah's trust and
friendship for he has been haunted by her ever since the day he discovered
her parent's bodies but couldn't find their little girl.  He also keeps this
odd friend of his secret, fearing that the murderer of Sarah's parents is
still nearby which indeed he is, for Jasper Davis has been buying
respectability with the proceeds of his crimes, but never forgetting that
Sarah witnessed his foul deed.  In the outlandish tradition of the pulpy
adventure novels on which this book draws inspiration, Sarah eventually
joins a circus, meets her long-lost aunt from back east and confronts Jasper
Davis in a predictable but undeniably exciting and suspenseful climax.
Pat Murphy's crisp, concise prose style and authorial skill in assembling
the elements of her mythical novel evokes such an appropriate atmosphere
that suspension of disbelief comes effortlessly and the swift-paced
narrative sucks the reader right in.  The Wild Angel also features vivid
depictions of Gold Rush California that ring true and contains graphic
descriptions of the 'nature red in tooth and claw' struggle for survival
that is life in a pack of wolves as well as of the loving companionship of
which these noble animals are capable.  A thoughtful subtext contrasting the
wilderness and Native American lifestyles in balance with the forces of
nature with the exploitation of and damage to the land caused by the
Anglo-Americam settlers and miners adds depth to the story without
preachiness--not spoiling the sheer fun of this yarn with its lovable
protagonists and compelling, fanciful and ultimately heartwarming plot.
In the Afterword, Murphy discusses how the layers of pseudonyms influenced
her writing and how they will help to tie together 'There and Back Again',
this book, and the next one.  Meanwhile, allow Sarah, the Wild Angel---a
woman who truly runs with the wolves in every sense of those words, to run
away with your heart and have a ripsnorting romp of a read while doing so!

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Date:         Mon, 4 Sep 2000 12:53:05 -0400
Reply-To:     Feminist SF/Fantasy and Utopia Literature ON TOPIC
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From:         Amy Harlib <aharlib@WORLDNET.ATT.NET>
Subject:      Another heroic female 'chosen one'.        Wheel of the Infinite
              Book Review
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Here's a review from the July SF Site also posted at rambles.net, and
sflare.com.  I think the character of Maskelle described in the review fits
the bill and although she has allies/friends that help her, she is defintely
the center of the action.         Amy
--
Amy Harlib
aharlib@worldnet.att.net
Wheel of the Infinite by Martha Wells, (EOS/HarperCollins, NY, July 2000,
hardcover, $24.00, ISBN#: 0-380-97335-9).
Martha Wells is that rarity, amidst the glut of endlessly repetitive fantasy
series and re-cycled cliches---she is a writer whose every book so far
stands alone and features new and different settings, characters, ideas,
etc.  Now, in her fourth novel of fantastic fiction, Wells succeeds yet
again in producing a wholly original, brilliant conception sure to cement
her reputation as one of the finest writers in the field deserving to rank
alongside such masters as Guy Gavriel Kay, Gene Wolfe, Jack Vance, Tim
Powers and Tanith Lee.
The Wheel of the Infinite distinguishes itself immediately with its setting,
an invented parallel world strongly reminiscent of South East Asia and even
more specifically, the glorious civilization of Cambodia in the 12th and
13th century AD and its cities of Angkor Thom and Angkor Wat though there
are whiffs of inspiration from Tibet and India as well.  Duvalpore, the
Celestial Empire's city of temples, is the site where every year, the
wizardly Voices of the Ancestors must gather to renew the wheel of the
Infinite, an image built of sand, (empowered with magical chants,
visualizations and incense), that represents the key to the shape of
reality.  An especially important centenary version of this rite is
approaching but an inexplicable, ominous, stormy black region has marred the
Wheel's representation and all the sorcerous efforts of the Voices have
failed to restore it to purity so far.  If the blight is not excised before
the Rite is completed, the world could be totally, undesirably changed.
The Voice of the Adversary, Maskelle, who speaks for the power the Ancestors
created to wipe out evil, has wandered in exile since a false vision years
ago.  But now the head of the Koshan Order of priests, the Celestial One,
has called her back to the capital city of Duvalpore to make use of her
unique, uncanny gifts.  Maskelle returns to Duvalpore with the friends and
allies she acquired in the wider world---Rastim's troupe of actors and the
attractive, foreign swordsman/bodyguard Rian.
>From her dreams of an eerie, inhuman city abandoned in the midst of
devastation and other clues, Maskelle learns that the Voices have
mysterious, magical opponents who have created a Wheel of their own in order
to alter reality to benefit themselves; the Celestial Emperor himself has
been duped by confederates of the invaders; and the Adversary itself might
not be entirely sane.  Maskelle and her companions cum allies, in their
battle against the strange insurgents from another world, encounter
murderous water spirits, possessed corpses, cursed puppets, murdered
priests, magical assassins and the scheming court favorite Lady Marada,
Wells wordsmithing skills making these odd ingredients blend together into
an enthralling narrative.
Marvelously inventive, swift-paced, witty, exciting, Well's latest fantasy
is a testimony to her talent as a writer, for Wheel of the Infinite is not
only about saving the world; it is also about saving Maskelle from
self-doubt and isolation.   The richly conceived Celestial Empire's plight
is made all the more dramatic by the well-rounded, fully dimensional
characters' sarcastic, reasonable conversations, and by their very human
responses to inhuman perils.  Maskelle, Rian, Rastim and company, the
Celestial One, even Raith, the ambivalent Emperor are all such colorful,
memorable protagonists that one longs for a whole series of sequels in order
to visit again with them and their world of wondrously exotic, intricate
backgrounds, dazzling magical manifestations, and  truly original plot
devices that add up to a tour de force of the imagination and a pleasurable
fantastic fiction reading experience rarely matched!

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Date:         Tue, 5 Sep 2000 18:25:29 EDT
Reply-To:     Feminist SF/Fantasy and Utopia Literature ON TOPIC
              <FEMINISTSF-LIT@LISTSERV.UIC.EDU>
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From:         Phoebe Wray <Zozie@AOL.COM>
Subject:      Re: Promised One
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In a message dated 9/5/00 5:42:42 PM, aharlib@WORLDNET.ATT.NET writes:

<< That's Elizabeth HAND!  And It's a good one!     Amy >>

Duh.  Thanks for the correction.

phoebe w

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Date:         Tue, 5 Sep 2000 15:15:53 PDT
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From:         Alex Wells <wildflag@HOTMAIL.COM>
Subject:      Re: chosen one
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Hi y'all,
     I'm going to de-lurk to suggest another "sort of" candidate for chosen
one: how about Marghe in Nicola Griffith's Ammonite?  She ends up fulfilling
all of the prophecies of a tribe that is expecting a goddess of death to
return to them.  It's not the main point of the book, or is it? ;)  I'd have
to read it again and think about it.

Alex
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Date:         Tue, 5 Sep 2000 21:43:21 -0400
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From:         sharon sahilu <sarima9@JUNO.COM>
Subject:      Re: Promised One/THANKS!
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Thank You for that correction:  I'm a real Elizabeth Moon fan and was going
what?  what? When? Where? Speaking of Moon, does anybody else relate to the
scene in Remnant Population where the protagonist rediscovers clothing?
Viewing her scarves, necklaces, etc against her aging body?...It truly
evokes a sense of personal freedom - possibly eccentric- that I don't really
wish to classify.

------Original Message------
From: Amy Harlib <aharlib@WORLDNET.ATT.NET>
To: FEMINISTSF-LIT@LISTSERV.UIC.EDU
Sent: September 4, 2000 3:25:38 PM GMT
Subject: Re: [*FSF-L*] Promised One


That's Elizabeth HAND!  And It's a good one!     Amy

> How about Elizabeth's Moon's Waking the Moon?  Ancient Chaos goddess
realized
> in a contemporary archaelogist?  And, yes, I'd say Witchblade counts,
since
> the power has to find a *promised one* to establish itself.
>
> best,
> phoebe W
>
> ------------------------------------------------------
> This is the FEMINISTSF-LIT listserve, intended only for
> discussion of feminism and Speculative Fiction.  To
> unsubscribe from this listserve, send a message to
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>
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Date:         Wed, 6 Sep 2000 11:55:24 0100
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From:         Petra Mayerhofer <mayerhof@USF.UNI-KASSEL.DE>
Subject:      Re: FSFFU-lit: scientific basis of SF
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On 5 Sep 00, Misha Bernard wrote:
>         Does anyone know of any geneticists who also write SF?
>         Or any writer who specifically identifies a scientific article or
> theory as their starting point for a short story or book OTHER than
> Melissa Scott's use of Anne Fausto-Sterling's article "The Five Sexes" in
> the April/May 1993 The Sciences as the originary point of _Shadow Man_?

What about _Darwin's Radio_ by Greg Bear? It's not based on a
single paper or so but as I understood it the book is based on the
present state of research in genetics. A major breakthrough is
expected in the next 5 years and he mapped one (extreme)
possibility. I believe Bear has a background in science.

I would not call the book feminist but I remember how surprised I
was how many female scientists were shown, in a sympathetic
way as highly competent and as fully developed characters. Even
more, as scientists and women who interacted with and supported
each other (mostly). The 'virus' Bear invented has some rather
unusual effects and together with the presentation of the 2 male
protagonists it impressed me as peculiar, especially for a male
writer. But in none of the reviews I've read of the book (and I've read
some) these aspects were mentioned so I begin to doubt my point
of view.

Petra



Petra Mayerhofer
mailto:mayerhofer@usf.uni-kassel.de
--
BDG website
http://www.geocities.com/Area51/Comet/1304/

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Date:         Wed, 6 Sep 2000 08:29:43 -0500
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From:         Roxanne Korpal <rmkorpa@ILSTU.EDU>
Subject:      Re: FSFFU-lit: scientific basis of SF
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Tara K. Harper is a science fiction author and she used many genetics
related ideas in her Risthmus books and her Wolfwalker books. Try
emailing the gal herself. She's really nice and will reply (eventually).

Roxanne
http://www.ilstu.edu/~rmkorpa

On Tue, 5 Sep 2000, Misha Bernard wrote:

> Hi all, two questions
>         Does anyone know of any geneticists who also write SF?
>         Or any writer who specifically identifies a scientific article or
> theory as their starting point for a short story or book OTHER than
> Melissa Scott's use of Anne Fausto-Sterling's article "The Five Sexes" in
> the April/May 1993 The Sciences as the originary point of _Shadow Man_?
>         thanks
> misha
>
>
> Misha Bernard                           Cultural Studies PhD student
> mbernar1@gmu.edu                        George Mason University
>
> -------------------------
>
> -mmmm! tastes like a scratch world! but it's Bishop Berkeley's Cosmo Mix!-
>                         Ursula K. Le Guin "World Making" (1981)
>
> ------------------------------------------------------
> This is the FEMINISTSF-LIT listserve, intended only for
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Date:         Wed, 6 Sep 2000 08:37:07 -0500
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From:         Roxanne Korpal <rmkorpa@ILSTU.EDU>
Subject:      Re: FSFFU-lit: scientific basis of SF
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Also I guess I should add her webpage and email address. That could
always help.

http://www.teleport.com/~until/tkh.htm
email: until@teleport.com

On her webpage she has a special page devoted to "science notes" for new
authors. Last I knew, her "vacation" was spent in a lab with some
geneticists or other scientists, playing with cells and dna.

happy hunting and good luck
Roxanne
http://www.its.ilstu.edu/rmkorpa

On Tue, 5 Sep 2000, Misha Bernard wrote:

> Hi all, two questions
>         Does anyone know of any geneticists who also write SF?
>         Or any writer who specifically identifies a scientific article or
> theory as their starting point for a short story or book OTHER than
> Melissa Scott's use of Anne Fausto-Sterling's article "The Five Sexes" in
> the April/May 1993 The Sciences as the originary point of _Shadow Man_?
>         thanks
> misha
>
>
> Misha Bernard                           Cultural Studies PhD student
> mbernar1@gmu.edu                        George Mason University
>
> -------------------------
>
> -mmmm! tastes like a scratch world! but it's Bishop Berkeley's Cosmo Mix!-
>                         Ursula K. Le Guin "World Making" (1981)
>
> ------------------------------------------------------
> This is the FEMINISTSF-LIT listserve, intended only for
> discussion of feminism and Speculative Fiction.  To
> unsubscribe from this listserve, send a message to
> LISTSERV@LISTSERV.UIC.EDU and in the body of the message say:
>          unsubscribe FEMINISTSF-LIT
>
> Contact FEMINISTSF-LIT-request@LISTSERV.UIC.EDU if there are problems.
>

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Date:         Thu, 7 Sep 2000 14:36:39 GMT
Reply-To:     Feminist SF/Fantasy and Utopia Literature ON TOPIC
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From:         Daniel Krashin <dkrashin@HOTMAIL.COM>
Subject:      Tepper spoiler
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*****SPOILER WARNING*******

I really had a problem with the central premise of this novel.  I mean,
not only is the story set in a brutally misogynistic society, but
at the end it turns out that they are sacrificing nursing women because
their blood, when spilled on the sand, yields a drug which makes people
immortal.

I mean, geez, how farfetched can you get?  Maybe Tepper feels this is
a great metaphor for the exploitation of women, but for me the whole
setup was so patently artificial that it ruined the book.  I think it was
the combination that put it over the top for me.  I could accept the
nasty society easily.  I probably could have accepted the premise of the
immortality drug, too, if that had been the central premise of the
book.  But the way they were combined, just struck me as crudely
propagandistic.

Too bad, I'll see what she writes next.

Danny
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Date:         Thu, 7 Sep 2000 08:10:45 -0700
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From:         Maryelizabeth Hart <publicity@MYSTGALAXY.COM>
Organization: Mysterious Galaxy
Subject:      Re: Tepper spoiler
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What Tepper is writing next is THE FRESCO. Earth makes contact with
aliens, and we get a couple of "facilitators" to help us make any
necessary modifications to ease our way into the cosmic alliance. Some
great fantasy fulfillment in terms of the aliens and their superior
technology "making" people exhibit reasonable behavior over things we've
been stupid over for like forever.

Maryelizabeth


--
---

Maryelizabeth Hart
Publicity Manager

*******************************************************************
Mysterious Galaxy Books                   Local Phone: 858.268.4747
7051 Clairemont Mesa Blvd, Suite 302           Fax: 858.268.4775
San Diego, CA 92111            Long Distance/Orders:
1.800.811.4747
http://www.mystgalaxy.com    General Email:
mgbooks@mystgalaxy.com

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Date:         Thu, 7 Sep 2000 11:52:45 -0500
Reply-To:     Feminist SF/Fantasy and Utopia Literature ON TOPIC
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From:         Todd Mason <Todd.Mason@TVGUIDE.COM>
Subject:      FW: Atwood in L.A.
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For those who haven't already been notified...

-----Original Message-----
From: Dennis Fischer [mailto:dfischer@LAEDU.LALC.K12.CA.US]
Sent: Wednesday, September 06, 2000 1:47 AM
To: SF-LIT@sun8.loc.gov
Subject: Atwood in L.A.


SEP 15 - WESTWOOD: Writers Bloc, in conjunction with UCLA Perform-
ing Arts, presents acclaimed novelist MARGARET ATWOOD ("Alias Grace,"
"The Handmaid's Tale"). Ms. Atwood will discuss her new novel, "The
Blind Assassin," as well as other topics. Tickets: $25, $20 and $15.
8 p.m. UCLA Royce Hall. FMI: (310) 825-2101.

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