From LISTSERV@LISTSERV.UIC.EDU Thu Jul 12 20:21:48 2001
Date: Mon, 9 Jul 2001 07:39:59 -0500
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To: Laura Quilter <lquilter@FEMINISTSF.ORG>
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Date:         Sat, 30 Sep 2000 22:39:32 -0800
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From:         Sharon Anderson <shander@CDSNET.NET>
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I  want to thank all of you who so thoughtfully pointed out that I will not
be able to understand Charnas' book because I haven't read the first three,
It was so thoughtful of you to point this out AFTER  I voted for the book.

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Date:         Mon, 2 Oct 2000 09:58:50 -0400
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From:         Terri <terriergraphics@CYBERTOURS.COM>
Subject:      Conquerors Child
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Petra is away for a long weekend, but when she returns
we will address this issue. We may have to make CC an
"unofficial" side discussion, and have the closest runner up
act as the BDG read. It depends on the how list feels about this
issue.  :o)
At least we can learn from our mistakes, and make it a rule
that only the first book in a series can be nominated.

Terri



Question about Conqueror's Child - This is book 4 -  How necessary is reading
the first 3 in the series?
Can this book stand alone or will the experience be less if you
haven't?  Advice
from those who had read this.  Thanks. Pat.

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Date:         Mon, 2 Oct 2000 10:03:35 EDT
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From:         Phoebe Wray <Zozie@AOL.COM>
Subject:      Re: Conquerors Child
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In a message dated 10/2/00 9:48:06 AM, terriergraphics@CYBERTOURS.COM writes:

<< We may have to make CC an "unofficial" side discussion, and have the
closest runner up act as the BDG read. >>

Terri, that seems like a fair solution.  After the good discussion on this
list about the earlier books in the series, I guess I assumed that everyone
had read them.

best,
phoebe w

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Date:         Mon, 2 Oct 2000 10:57:54 -0400
Reply-To:     Feminist SF/Fantasy and Utopia Literature ON TOPIC
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From:         Misha Bernard <mbernar1@OSF1.GMU.EDU>
Subject:      Re: Conquerors Child
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This does seem like a fair solution, and it is unfortunate that it wasn't
made clear that _Conqueror's Child_ benefits from knowing the previous
books.  However, since _The Slave and the Free_ were already discussed on
the BDG, perhaps if enough people still want to read/discuss _CC_, it can
be placed last and those who don't have the chance to read the previous
books (_The Slave and the Free_ AKA _Walk to the Endof the Earth_ and
_Motherlines_, and _The Furies_) can at least read the archived BDG and
have some idea of what has happened up to the book.
        I would actually be interested in knowing what people who _hadn't_
read anything else thought of _Conqueror's Child_... sometimes I've read a
later book in a group (though not necessarily as connected a
series) before the others and had different impressions- sort of similar
to rereading early books after reading the whole series.

misha

On Mon, 2 Oct 2000, Phoebe Wray wrote:

> In a message dated 10/2/00 9:48:06 AM, terriergraphics@CYBERTOURS.COM writes:
>
> << We may have to make CC an "unofficial" side discussion, and have the
> closest runner up act as the BDG read. >>
>
> Terri, that seems like a fair solution.  After the good discussion on this
> list about the earlier books in the series, I guess I assumed that everyone
> had read them.
>
> best,
> phoebe w
>
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>


Misha Bernard                           Cultural Studies PhD student
mbernar1@gmu.edu                        George Mason University

-------------------------

-mmmm! tastes like a scratch world! but it's Bishop Berkeley's Cosmo Mix!-
                        Ursula K. Le Guin "World Making" (1981)

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Date:         Mon, 2 Oct 2000 11:22:19 -0400
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From:         Marcie McCauley <willow@HOME.COM>
Organization: @Home Network
Subject:      Re: Conqueror's Child
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Terri writes:
"We may have to make CC an "unofficial" side discussion, and have the
closest runner up act as the BDG read. It depends on the how list feels
about this issue.  :o)
At least we can learn from our mistakes, and make it a rule that only
the first book in a series can be nominated."

While limiting nominations to the first book of a series sounds like a
reasonable idea, I was reminded of the kinda-recent discussion of
Octavia Butler's Dawn, the first book in her Xenogenesis series ...

I read just the first book for that discussion and found some of the
posts confusing because so many people had read the rest of the series
and of course that impacted their views of the first book. How could it
not? There were themes that seemed by-the-way in Dawn that became more
prominent in the later books and the perception of the Oankali developed
throughout; if you had read the whole series and were looking back, it
would be impossible to just filter out your reactions to the first book
alone and make comments solely on that basis.

My reactions to the first book changed once I took the time to read the
next two books in the series and, re-reading the messages I had saved
from the group's discussion, I felt that I had a better understanding of
Dawn as part of a series than I had by reading it alone. I wished that I
had read the entire series in time for the discussion instead of a few
months later.

I haven't read any of the Suzy McKee Charnas books either, although I've
faithfully collected them, waiting for that flu-bug to hit or some other
good excuse to just dive in and read for days on end, but I would gladly
move them up my TBR list for a BDG though I'd be less likely to promptly
make room for 1200 pages for a casual drop-in discussion on-list.

In this genre, there are always sequels and prequels to sort out and I
don't think there's a perfect solution. Talking about the fourth Charnas
is going to be hard for those who haven't read the first three, talking
about the first alone would be hard for those who have read them. Rather
than try to solve it by making a blanket rule, I'd rather see the
nominator's opinion on whether s/he thinks it's necessary to read
earlier or later books in the series and then decide whether I want to
vote for it knowing the amount of reading involved.

In this particular instance, I agree with those who have suggested that
it be moved to one of the later discussion dates to allow extra reading
time for those of us who choose to read the the earlier books rather
than have it relegated to a side discussion. I'm excited about the
selections this time. I didn't vote because I wasn't able to take part
much with the summer books but I think I'll be able to find copies of
all of these and can't wait to indulge.

Truly,
Marcie

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Date:         Sun, 1 Oct 2000 12:42:09 -0400
Reply-To:     Feminist SF/Fantasy and Utopia Literature ON TOPIC
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From:         Amy Harlib <aharlib@WORLDNET.ATT.NET>
Subject:      What I just read:               A Fire Upon the Deep      Book
              Review
Comments: To: Science_Fiction_Books@egroups.com, SciFi_Discussion@egroups.com,
          amazons@egroups.com, bayley@onelist.com, fsf-list@egroups.com,
          peter_f_hamilton@onelist.com, sffbooks@onelist.com,
          SpeculativeFiction@egroups.com, WomensFantasySciFi@egroups.com
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Just finished this book, this review of which will be posted at these
websites for which I review regularly:  SF Site, rambles.net and
scifinow.com.  Thought it would be of interest to this group---you are
seeing it first.  Thanks for letting me share.       Amy
aharlib@worldnet.att.net
A Fire Upon the Deep by Vernor Vinge (Tor Books, NY, Feb. 1993, $5.99, mass
market paperback, ISBN#: 0-812-51528-5).
Now that veteran SF Writer Vernor Vinge's most recent book, 'A Deepness in
the Sky' has just won the Hugo Award for best SF novel of the year, this
seems to be a good time to re-assess the novel that inspired it, 'A Fire
Upon the Deep', also a Hugo winner and a sequel that was written first.
That a work of SF and its sequel should both earn such recognition is
unusual and attests to the author's skill and intelligence as a writer of
richly complex hard SF 'sense-of-wonder' yarns in the grandest style.
In 'A fire Upon the Deep', Vinge has created a genuinely new and unique
concept of the nature of the galaxy where the laws of physics vary with
location, the greatest potential for intelligence lies furthest from the
center, at the edges where computer-like superminds far beyond anything
possible in a biological brain can be found.  Myriads of sentient species
have moved physically and intellectually, over an evolutionary time scale
measured in billions of years, toward the region on the galactic rim known
as The Beyond and The Transcendence where the entities that reach this
locale are called Powers.  They have attained a kind of god-like state of
being,  their concerns mostly incomprehensible to lesser beings though
occasionally a Power turns its attention back to the rest of the galaxy.
When doing so with malign intent they are Perversions, with the potential to
do untold damage.  In the center of the Milky Way, are the Unthinking Depths
with the Slow Zone the next layer out, regions where only simple creatures
and technologies can function, the Slowness bordering on The Beyond.
When a team of scientists in the Straumli Realm of The Beyond discover and
release an ancient Transcendent artifact, they unknowingly unleash an
awesome power, The Blight, that destroys thousands of worlds by enslaving
all natural and artificial intelligences.  From this disaster, a ship
escapes with a family of scientists with their two pre-adolescent children,
Jefri and his older sister Johanna, aboard (notable examples of juvenile
characters in an adult story that are not sickeningly cute or obnoxious)!
Their luck changes when they are shipwrecked on a planet in The Slowness,
their parents killed and the youngsters are taken captive by particularly
fascinating aliens of a medieval-level society locked in a struggle for
power.  These indigenous beings, four-legged creatures who run in packs, are
individually no smarter than dogs or rats, but when they coalesce in packs
of four or more, they form self-aware unitary persons of surprising
abilities.  Because their sharp claws and their spatially separate bodies
work together like the tines of a fork, the humans call them Tines.
Another ship, escaping from the Blight, seeks to rescue the stranded pair of
siblings and recover their ship which contains an esoteric device, a
Countermeasure that, if it can be triggered in time, may prevent the
destruction of the galaxy caused by the Blight.  The crew of would-be
saviors include: Pham Nuwen, a vivid, colorful 'enhanced' human of bizarre
origins who is also the protagonist of 'A Deepness in the Sky'; Ravna,
librarian/researcher and strong, resourceful woman; and the vessel's
entrepreneurial owners/operators, Blueshell and Greenstalk, a pair of
genuinely charming sentient tree-like entities known as Skroderiders who
propel themselves about on individual mind-controlled six-wheeled carts.
When the spacecraft of hope arrives at the Tines' world at the climax of the
local conflict that also coincides with a critical moment in their pursuit
by the forces of the Perversion, the resolution of the three major plot
strands of gripping suspense surprises and offers bittersweet satisfaction.
'A Fire Upon the Deep' fully deserves all its accolades: the overall concept
is an utterly enthralling tour de force of science-fictional imagination;
the aliens are developed with memorable skill and perception; the relentless
pace of the story never lags (especially the plight of Johanna and Jefri,
thoroughly likable kids ironically separated in the wreck and each one found
and nurtured by the Tines representing the two warring factions); not all
the major characters survive (refreshing realism); and the clear unadorned
prose style conveys vast and strange galactic vistas and intimate emotional
interaction with equal ease and sometimes simultaneously!  This is
science-fiction wonder---intelligent, esthetic, moving, creative---of the
highest order and deep enough to set readers on fire for more.  'Deepness in
the Sky' awaits!

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Date:         Mon, 2 Oct 2000 14:14:17 -0400
Reply-To:     Feminist SF/Fantasy and Utopia Literature ON TOPIC
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From:         "Bucci, Elizabeth" <ebucci@FOXBORO.CA>
Subject:      Amy's book review:  A Fire Upon the Deep by Vernor Ving e
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This is a strong « ME TOO! » to Amy's book review of the above-mentioned
book.  I read it this summer and COULD NOT STOP until it was done.  This is
a fast read from start to finish :  Vinge is a master at foreshadowing and
suspense.  Each plot line is absolutely fascinating and they all come
together at the end, without being sickenly « perfect ».  The group-minds
idea which is central to the Tines packs is truly original.  So is the
central idea that the laws of physics are defined by location in the
universe.  This means that, for example, faster-than-light travel is not
possible in the Slowness while in the Beyond, they can travel, say, 60
lightyears per hour (or something like this).  Since achieving FTL travel is
pratically a prerequisite to a civilisation advancing itself, it means that
Slow civilisations are due to die out.  Other fascinating conclusions
trickle down from this central idea, which contribute to the plot lines in a
critical, fascinating manner.  This novel is a true masterpiece of science
fiction.

Since this is a feminist-sf listserve, I'd like to point out how
delightfully non-gender-traditional were the characters in this novel.
While the novel's themes are not related to gender itself (this is more of a
hard-sf novel), I found it wonderful that the characters, especially the
female ones, did not fall into the traditional gender roles that are all too
common in SF.  Joanna, the older sister of the children (16 yrs old?)
stranded on the planet Tines is strong, smart and, at one point when she
feels threatened, she physically attacks what she thinks are her kidnappers.
In fact, she is more aggressive than her younger brother, who is really just
a kid (is he 8? 9?), and so much more naïve than Joanna.  Then there's
Woodcarver, the Tine pack that ends up working closely with Joanna.
Woodcarver is a female dominated pack (the packs define their gender in some
mysterious way not detailed in the novel, it seems to be a decision made by
the pack, or is it majority rules based on the gender of the pack
members...whatever) who leads the attack on the rival army.  She is a strong
leader, smart, intelligent, and has been in a position of authority for some
600 years.  Finally there's Ravna, one of the characters on the rescue ship
being chased by the Perversion.  Although there are 4 crew members on the
ship, Ravna emerges as a leader, making some difficult decisions (and
over-ruling the male Pham Newen at one important point.)

In no cases were these female characters placed in the story for love or sex
interest :  they are central characters in each plot-line, without
overshadowing the male characters.  In a similar fashion, the male
characters are not cardboard cutouts of macho males either :  there is much
depth and complexity to each character.  This made reading the novel all the
more delightful!

Goes to show you, it doesn't have be femsf to be « feminist »!!!!  This is a
true masterpiece on all counts!

Now I have to buy the prequel...!

--Elisabeth.

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Date:         Mon, 2 Oct 2000 20:50:23 -0400
Reply-To:     Feminist SF/Fantasy and Utopia Literature ON TOPIC
              <FEMINISTSF-LIT@LISTSERV.UIC.EDU>
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From:         Kimberly Latta <lattak@SLU.EDU>
Subject:      Re: BDG Voting
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The book can be read alone.  I hadn't read book 3 for about three years, and
did fine, although I might have enjoyed the book more had I recently read
book 3.


 --
Kimberly Latta <lattak@slu.edu>
Saint Louis University
In residence until December 31, 2000 at:
The Folger Shakespeare Library
201 E. Capitol Street, NE
Washington, DC 20003


> From: "Patricia P. Lillquist" <ppl02@HEALTH.STATE.NY.US>
> Reply-To: Feminist SF/Fantasy and Utopia Literature ON TOPIC
> <FEMINISTSF-LIT@LISTSERV.UIC.EDU>
> Date: Fri, 29 Sep 2000 08:50:44 -0400
> To: FEMINISTSF-LIT@LISTSERV.UIC.EDU
> Subject: Re: [*FSF-L*] BDG Voting
>
> Question about Conqueror's Child - This is book 4 -  How necessary is reading
> the first 3 in the series?
> Can this book stand alone or will the experience be less if you haven't?
> Advice
> from those who had read this.  Thanks. Pat.
>
> ------------------------------------------------------
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> discussion of feminism and Speculative Fiction.  To
> unsubscribe from this listserve, send a message to
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>
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Date:         Mon, 2 Oct 2000 03:15:09 -0400
Reply-To:     Feminist SF/Fantasy and Utopia Literature ON TOPIC
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From:         Amy Harlib <aharlib@WORLDNET.ATT.NET>
Subject:      Re: Conquerors Child
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I think this is a good rule.     Amy


> At least we can learn from our mistakes, and make it a rule
> that only the first book in a series can be nominated.
>
> Terri
>
>
>
> Question about Conqueror's Child - This is book 4 -  How necessary is
reading
> the first 3 in the series?
> Can this book stand alone or will the experience be less if you
> haven't?  Advice
> from those who had read this.  Thanks. Pat.
>
> ------------------------------------------------------
> This is the FEMINISTSF-LIT listserve, intended only for
> discussion of feminism and Speculative Fiction.  To
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Date:         Mon, 2 Oct 2000 11:39:03 -0400
Reply-To:     Feminist SF/Fantasy and Utopia Literature ON TOPIC
              <FEMINISTSF-LIT@LISTSERV.UIC.EDU>
Sender:       Feminist SF/Fantasy and Utopia Literature ON TOPIC
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From:         Amy Harlib <aharlib@WORLDNET.ATT.NET>
Subject:      Re: Amy's book review:  A Fire Upon the Deep by Vernor Ving
              e
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Thank you for such a wonderful response to my review!  You pinpointed
important aspects of the book that I couldn't do in the review because it
would have made it too long.  A reaction like this is as gratifying to me as
any praise and thoughtful commentary is to a writer of fiction.
Amy
-----
This is a strong « ME TOO! » to Amy's book review of the above-mentioned
book.  I read it this summer and COULD NOT STOP until it was done.  This is
a fast read from start to finish :  Vinge is a master at foreshadowing and
suspense.  Each plot line is absolutely fascinating and they all come
together at the end, without being sickenly « perfect ».  The group-minds
idea which is central to the Tines packs is truly original.  So is the
central idea that the laws of physics are defined by location in the
universe.  This means that, for example, faster-than-light travel is not
possible in the Slowness while in the Beyond, they can travel, say, 60
lightyears per hour (or something like this).  Since achieving FTL travel is
pratically a prerequisite to a civilisation advancing itself, it means that
Slow civilisations are due to die out.  Other fascinating conclusions
trickle down from this central idea, which contribute to the plot lines in a
critical, fascinating manner.  This novel is a true masterpiece of science
fiction.

Since this is a feminist-sf listserve, I'd like to point out how
delightfully non-gender-traditional were the characters in this novel.
While the novel's themes are not related to gender itself (this is more of a
hard-sf novel), I found it wonderful that the characters, especially the
female ones, did not fall into the traditional gender roles that are all too
common in SF.  Joanna, the older sister of the children (16 yrs old?)
stranded on the planet Tines is strong, smart and, at one point when she
feels threatened, she physically attacks what she thinks are her kidnappers.
In fact, she is more aggressive than her younger brother, who is really just
a kid (is he 8? 9?), and so much more naïve than Joanna.  Then there's
Woodcarver, the Tine pack that ends up working closely with Joanna.
Woodcarver is a female dominated pack (the packs define their gender in some
mysterious way not detailed in the novel, it seems to be a decision made by
the pack, or is it majority rules based on the gender of the pack
members...whatever) who leads the attack on the rival army.  She is a strong
leader, smart, intelligent, and has been in a position of authority for some
600 years.  Finally there's Ravna, one of the characters on the rescue ship
being chased by the Perversion.  Although there are 4 crew members on the
ship, Ravna emerges as a leader, making some difficult decisions (and
over-ruling the male Pham Newen at one important point.)

In no cases were these female characters placed in the story for love or sex
interest :  they are central characters in each plot-line, without
overshadowing the male characters.  In a similar fashion, the male
characters are not cardboard cutouts of macho males either :  there is much
depth and complexity to each character.  This made reading the novel all the
more delightful!

Goes to show you, it doesn't have be femsf to be « feminist »!!!!  This is a
true masterpiece on all counts!

Now I have to buy the prequel...!

--Elisabeth.

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=========================================================================
Date:         Tue, 3 Oct 2000 09:34:00 -0700
Reply-To:     Feminist SF/Fantasy and Utopia Literature ON TOPIC
              <FEMINISTSF-LIT@LISTSERV.UIC.EDU>
Sender:       Feminist SF/Fantasy and Utopia Literature ON TOPIC
              <FEMINISTSF-LIT@LISTSERV.UIC.EDU>
From:         Maryelizabeth Hart <publicity@MYSTGALAXY.COM>
Organization: Mysterious Galaxy
Subject:      BDG nominations
MIME-Version: 1.0
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I'd suggest this be a recommendation rather than a rule, with the rule being
that the nominator offers her opinion about whether the later book can be
read without  one needing to read the preceding books.

My $.02

Maryelizabeth


Amy Harlib wrote:

> I think this is a good rule.     Amy
>
> > At least we can learn from our mistakes, and make it a rule
> > that only the first book in a series can be nominated.
> >
> > Terri
> >
> >
> >

--
*******************************************************************
Mysterious Galaxy Books                   Local Phone: 858.268.4747
7051 Clairemont Mesa Blvd, Suite 302           Fax: 858.268.4775
San Diego, CA 92111            Long Distance/Orders: 1.800.811.4747
http://www.mystgalaxy.com    General Email:
mgbooks@mystgalaxy.com

*******************************************************************

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Date:         Tue, 3 Oct 2000 13:03:09 -0700
Reply-To:     Feminist SF/Fantasy and Utopia Literature ON TOPIC
              <FEMINISTSF-LIT@LISTSERV.UIC.EDU>
Sender:       Feminist SF/Fantasy and Utopia Literature ON TOPIC
              <FEMINISTSF-LIT@LISTSERV.UIC.EDU>
From:         Laura Quilter <lquilter@EXPLORATORIUM.EDU>
Comments: To: feministsf@uic.edu, feministsf-lit@uic.edu
MIME-Version: 1.0
Content-Type: TEXT/PLAIN; charset=US-ASCII

Laura Quilter / lquilter@exo.net

------------------------------------------------------------

From: Wayne Harde <wayneharde@sympatico.ca>
Subject: CFP: Girlpower, FEMSPEC special issue, 01/04/2001

GIRLPOWER---FEMSPEC (Special Issue)---REVISED CALL FOR PAPERS

Girl power is power that comes from within.  Girl power comes from
celebrating femininity in all its complexity.  Girl power comes from
girls breaking traditional molds and becoming who they want to be,
taking control of themselves and extending that control to their
environment.  Currently media and texts celebrate girl power in varied
and innovative ways.  This special issue of FEMSPEC focuses on all
aspects of girl power in media and texts, and we are calling for
critical articles, creative writing, and art by young adults and
professionals that address this topic.

FEMSPEC is an interdisciplinary feminist journal dedicated to critical
and creative works in the realms of sf, fantasy, magical realism,
surrealism, myth, folklore, and other supernatural genres.  Submissions
on all aspects of girl power and speculative fiction are welcome.  We
are especially interested in submissions that focus on the following:

-new developments in animations and television, such as Power Puff
Girls, Sailor Moon, Charmed, Kiki's Delivery Service, Barbie and the
Sensations
- current television shows such as Charmed and Buffy the Vampire Slayer

- speculative fiction novels/series of novels and comics featuring girl
power
- discussions about girls writing and publishing
- submissions of writing by girls
- girls' websites and home video games
- female superheroes, such as Xena and the women in X-Men
- anime
- art or photographs

Submissions should be accompanied by a cover letter, including name,
address, and title of the work; submissions should include only the
title of the work.  Please submit 4 copies.

If you are interested in writing a book review, or submitting art or
photography, please contact Roxanne Harde at the address below.

Deadline:  1 April 2001
Critical/analytical articles:  15 pages, MLA style
Creative writing:  Short fiction or plays (15 pages) and poetry (3
poems)
Book reviews:  500-750 words, MLA style

Send 4 copies of each submission to Donna Varga, Child & Youth Study,
Mount Saint Vincent University, Halifax, Nova Scotia, Canada, B3M 2J6,
DONNA.VARGA@MSVU.CA

Send 2 copies of each book review to Roxanne Harde, Dept. of English,
411 Watson Hall, Queen's University, Kingston, Ontario, Canada  K7L 3N6
8rh@qlink.queensu.ca
help@mail.h-net.msu.edu

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=========================================================================
Date:         Tue, 3 Oct 2000 22:23:58 +0100
Reply-To:     Feminist SF/Fantasy and Utopia Literature ON TOPIC
              <FEMINISTSF-LIT@LISTSERV.UIC.EDU>
Sender:       Feminist SF/Fantasy and Utopia Literature ON TOPIC
              <FEMINISTSF-LIT@LISTSERV.UIC.EDU>
From:         Jane Fletcher <jane.fletcher@VIRGIN.NET>
Subject:      Re: BDG Voting
MIME-Version: 1.0
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Terri

Just to let you know that, as the list member who proposed _ASH_, I am
currently reading the book and am able to kick off the discussion at pretty
much any time (although I'd like a week's notice). The only thing I need to
know is exactly where the first book in the US edition ends, so I won't
inadvertently drop any spoilers for the later parts of the book.

Jane

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=========================================================================
Date:         Wed, 4 Oct 2000 14:01:10 0100
Reply-To:     Feminist SF/Fantasy and Utopia Literature ON TOPIC
              <FEMINISTSF-LIT@LISTSERV.UIC.EDU>
Sender:       Feminist SF/Fantasy and Utopia Literature ON TOPIC
              <FEMINISTSF-LIT@LISTSERV.UIC.EDU>
From:         Petra Mayerhofer <mayerhof@USF.UNI-KASSEL.DE>
Subject:      BDG Conquerors Child/New guideline
In-Reply-To:  <v04210102b5fd94ea2e26@[64.208.65.8]>
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We have two issues here, what to do with Conquerer's Child and
what to do in the future.

Concerning Conquerer's Child: as I coordinated the nominations I
have to take part of the blame. As we had discussed the first 2
Holdfast books in the BDG before (with a lot of comments on the
third book, too) I saw them as "shared texts" and did not realize
that there's a problem.

Terri suggested to discuss CC on the side and take the fifth placed
book for the main discussion. That, however, would mean that
people "have to" read 2 books in a month (and people who try for
the first 3 Holdfast even 5), which does not seem feasible to me.
IMO the main or the side discussion or both would suffer from that.

So, personally I prefer the other suggestion, to make CC the BDG
book in February to give people who have not read the first 3
Holdfast books the chance to catch up (that's also fair to the
members who have already read the 3 books and voted for the
fourth). Perhaps some list members are ready to write plot
summaries of the first 3 books? We could add these to the
nominator information (with spoiler warnings) on the BDG website.

The BDG archive on the first 2 Holdfast books (The Slave and the
Free = Walk to the End of the World + Motherlines) can be found
at
http://www.geocities.com/Area51/Comet/1304/archives/bdg_slavean
dfree.txt

Concerning a new BDG guideline, I concur with Marcie McCauley
that the boundaries are not always so clear-cut. Furthermore, I
think it would be a pity if a sequel could principally not be read in
the BDG. So, I propose to make the rule that

"It is recommended that the first book in a series is nominated.
_When_ a sequel is nominated after all, the nominator should offer
information on whether the later book is comprehensible without
reading the prequel(s)."

Thus everybody can form her/his own opinion _before_ voting.

Can list members live with that? Comments, recommendations,
further suggestions?

Petra




Petra Mayerhofer
mailto:mayerhofer@usf.uni-kassel.de
--
BDG website
http://www.geocities.com/bdg_volunteers/

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=========================================================================
Date:         Wed, 4 Oct 2000 09:40:44 -0700
Reply-To:     Feminist SF/Fantasy and Utopia Literature ON TOPIC
              <FEMINISTSF-LIT@LISTSERV.UIC.EDU>
Sender:       Feminist SF/Fantasy and Utopia Literature ON TOPIC
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From:         Laura Quilter <lquilter@EXPLORATORIUM.EDU>
Subject:      CFP: Angela Carter (Spain) (11/30; 3/16/01) (fwd)
Comments: To: feministsf@uic.edu, feministsf-lit@uic.edu
MIME-Version: 1.0
Content-Type: TEXT/PLAIN; charset=US-ASCII

Laura Quilter / lquilter@exo.net

---------- Forwarded message ----------
Date: Wed, 04 Oct 2000 08:52:51 -0500
From: Brett Cox <bcox@ascc.edu>
Reply-To: iafa-l@wiz.cath.vt.edu
To: Multiple recipients of list <iafa-l@wiz.cath.vt.edu>
Subject: CFP: Angela Carter (Spain) (11/30; 3/16/01)

I thought this might be of interest.--Brett

>>From cfp-owner@dept.english.upenn.edu Wed Oct 04 02:56:10 2000
>From: "Pilar Cuder" <picuder@uhu.es>
>To: <cfp@dept.english.upenn.edu>
>Subject: CFP: Angela Carter (Spain) (11/30; 3/16/01)
>Date: Wed, 4 Oct 2000 20:39:12 +0200
>Sender: owner-cfp@dept.english.upenn.edu
>
> Call For Papers
>ANGELA CARTER, 20TH-CENTURY FABULATOR
>
>A one-day conference at the University of Huelva, Spain
>
>16 March 2001
>
>As the tenth anniversary of Angela Carter's death draws near, we feel it =
>is time to give some more thought to this extraordinary writer's role in =
>the innovation of late 20th-century literature.  Recent studies by =
>Linden Peach, Sarah Gamble and Aidan Day among others have tackled some =
>of the most relevant issues concerning Carter, but much remains to be =
>done.  We are therefore inviting proposals for papers on Carter's =
>writings, which can offer theoretical insights into her social and =
>literary context (post-modernism, post-structuralism, feminism) by =
>either covering several of her works, or looking at connections with =
>other writers, or tracing intersections with other media (film and =
>performance studies in particular).
>
>Plenary speakers:
>
>Prof. Pilar Hidalgo (U of Malaga, Spain)
>
>Prof. Angeles de la Concha (Open University, Madrid, Spain)
>
>Two-page proposals in English (500 words approximately) should be =
>e-mailed to the conference conveners (see below) by 30 November 2000.  =
>After acceptance, full papers (15-20 pages, double-spaced, MLA format) =
>should arrive in hard copy and Microsoft Word file by 31 January 2001.
>
>Queries and proposals:
>
>Pilar Cuder (picuder@uhu.es)
>
>Sonia Villegas (villegas@uhu.es)
>
>Dept. of English
>
>Facultad de Humanidades
>
>Campus del Carmen pab. 11
>
>Huelva 21071 Spain
>
>Fax: 34-959 019 143
>         ===============================================
>         From the Literary Calls for Papers Mailing List
>                      CFP@english.upenn.edu
>                       Full Information at
>                http://www.english.upenn.edu/CFP/
>          or write Erika Lin: elin@english.upenn.edu
>         ===============================================
>

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=========================================================================
Date:         Wed, 4 Oct 2000 22:41:42 -0500
Reply-To:     Feminist SF/Fantasy and Utopia Literature ON TOPIC
              <FEMINISTSF-LIT@LISTSERV.UIC.EDU>
Sender:       Feminist SF/Fantasy and Utopia Literature ON TOPIC
              <FEMINISTSF-LIT@LISTSERV.UIC.EDU>
From:         Susan Hericks <hericks@MINDSPRING.COM>
Subject:      Re: BDG Conquerors Child/New guideline
MIME-Version: 1.0
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Sounds good to me, Pertra.

Susan

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Date:         Wed, 4 Oct 2000 02:28:29 -0400
Reply-To:     Feminist SF/Fantasy and Utopia Literature ON TOPIC
              <FEMINISTSF-LIT@LISTSERV.UIC.EDU>
Sender:       Feminist SF/Fantasy and Utopia Literature ON TOPIC
              <FEMINISTSF-LIT@LISTSERV.UIC.EDU>
From:         Amy Harlib <aharlib@WORLDNET.ATT.NET>
Subject:      Re: BDG Conquerors Child/New guideline
MIME-Version: 1.0
Content-Type: text/plain; charset="iso-8859-1"
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>
> Concerning a new BDG guideline, I concur with Marcie McCauley
> that the boundaries are not always so clear-cut. Furthermore, I
> think it would be a pity if a sequel could principally not be read in
> the BDG. So, I propose to make the rule that
>
> "It is recommended that the first book in a series is nominated.
> _When_ a sequel is nominated after all, the nominator should offer
> information on whether the later book is comprehensible without
> reading the prequel(s)."
>
> Thus everybody can form her/his own opinion _before_ voting.
>
> Can list members live with that? Comments, recommendations,
> further suggestions?
>
I can live with these rules.             Amy
> Petra
>
>
>
>
> Petra Mayerhofer
> mailto:mayerhofer@usf.uni-kassel.de
> --
> BDG website
> http://www.geocities.com/bdg_volunteers/
>
> ------------------------------------------------------
> This is the FEMINISTSF-LIT listserve, intended only for
> discussion of feminism and Speculative Fiction.  To
> unsubscribe from this listserve, send a message to
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>
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Date:         Thu, 5 Oct 2000 09:53:32 -0400
Reply-To:     Feminist SF/Fantasy and Utopia Literature ON TOPIC
              <FEMINISTSF-LIT@LISTSERV.UIC.EDU>
Sender:       Feminist SF/Fantasy and Utopia Literature ON TOPIC
              <FEMINISTSF-LIT@LISTSERV.UIC.EDU>
From:         Terri <terriergraphics@CYBERTOURS.COM>
Subject:      Re: BDG Conquerors Child/New guideline
In-Reply-To:  <39DB3826.31332.D31C45@localhost>
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii" ; format="flowed"

I agree. This sounds good to me.  :o)

Terri



>
>"It is recommended that the first book in a series is nominated.
>_When_ a sequel is nominated after all, the nominator should offer
>information on whether the later book is comprehensible without
>reading the prequel(s)."
>
>Thus everybody can form her/his own opinion _before_ voting.
>
>Can list members live with that? Comments, recommendations,
>further suggestions?
>
>Petra
>

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Date:         Thu, 5 Oct 2000 16:51:04 -0500
Reply-To:     Feminist SF/Fantasy and Utopia Literature ON TOPIC
              <FEMINISTSF-LIT@LISTSERV.UIC.EDU>
Sender:       Feminist SF/Fantasy and Utopia Literature ON TOPIC
              <FEMINISTSF-LIT@LISTSERV.UIC.EDU>
From:         Susan Hericks <hericks@MINDSPRING.COM>
Subject:      Re: BDG Conquerors Child/New guideline
MIME-Version: 1.0
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Oops! Petra!  (I'm such a lousy typist! :o))
-----Original Message-----
From: Susan Hericks <hericks@MINDSPRING.COM>



>Sounds good to me, Pertra.
>
>Susan
>
>------------------------------------------------------
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Date:         Fri, 6 Oct 2000 09:52:24 0100
Reply-To:     Feminist SF/Fantasy and Utopia Literature ON TOPIC
              <FEMINISTSF-LIT@LISTSERV.UIC.EDU>
Sender:       Feminist SF/Fantasy and Utopia Literature ON TOPIC
              <FEMINISTSF-LIT@LISTSERV.UIC.EDU>
From:         Petra Mayerhofer <mayerhof@USF.UNI-KASSEL.DE>
Subject:      BDG Schedule
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I haven't had any feedback from the nominator of _Wicked_ but I
think the BDG schedule should no longer be delayed. If necessary
we have to do it a bit differently for _Wicked_ then.

The BDG schedule for November to February is as follows:

6 November (Monday): Mary Gentle: A Secret History : The Book of Ash 1
4 December (Monday): Gregory Maguire: Wicked: The Life and
Times of the Wicked Witch of the West
2 January (Tuesday): Angela Carter: Nights at the Circus
5 February (Monday): Suzy McKee Charnas: The Conquerer's Child

The BDG website will accordingly be updated asap. Further
information on the books can be looked up at the nomination page:
http://www.geocities.com/bdg_volunteers/bdg_nom_0900.htm

Petra



Petra Mayerhofer
mailto:mayerhofer@usf.uni-kassel.de
--
BDG website
http://www.geocities.com/bdg_volunteers/

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Date:         Fri, 6 Oct 2000 10:35:02 -0400
Reply-To:     Feminist SF/Fantasy and Utopia Literature ON TOPIC
              <FEMINISTSF-LIT@LISTSERV.UIC.EDU>
Sender:       Feminist SF/Fantasy and Utopia Literature ON TOPIC
              <FEMINISTSF-LIT@LISTSERV.UIC.EDU>
From:         Marcie McCauley <willow@HOME.COM>
Organization: @Home Network
Subject:      Amazon stories and such
MIME-Version: 1.0
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Petra wrote:
"This book [The Books of Great Alta - Jane Yolen] contains _Sister
Light, Sister Dark_ (1988) and the sequel _The White Jenna_ (1989). I've
got interested in this book because Jessica Salmonson mentions it in an
essay on amazons (http://www.violetbooks.com/amazon.html) as a positive
example in which the Amazon/swordswoman is _not_ presented as an anomaly
in her society."

Well, this essay certainly sounded interesting and I filed it away until
time permitted and then, after reading it, thought maybe other women on
the list would have recommendations in this regard: favourite Amazon
stories anyone? Well, okay, let's stretch things a little: if Maria
Gimbutas was gonna write a novel ...

I just read _Sister Light, Sister Dark_ a few months ago and loved it. I
didn't realize that it had been reissued with its sequel and will have
to get myself a copy because I think it's definitely a keeper. But just
the other night I finally sat down and read Barbara Walker's _Amazon_, a
novel from 1992 that I came across in a used book store months ago and
grabbed up furtively as though if anyone else had seen it first I would
have had to fight them off for it. Ha! Since then I've seen it in the
same shop several times: one woman's cast-off, another's 3000BC treasure
...

Yeah, some of the writing in _Amazon_ might be a little stark (perhaps
similar to Tepper's recent writing) but as I'm in agreement with much of
what both women are saying, I don't find that a problem. And I was swept
up in the story itself, appreciated the suspense, found the connections
between the characters interesting, and enjoyed the comments made about
our society and historical alternatives to patriarchal structure. I'm
familiar with Walker's non-fiction but don't remember hearing any
reference made to this novel and wonder if anyone else here has read it.

I've also just finished two stories from the Nebula Awards Showcase for
2000: Sheila Finch's "Reading the Bones" and Jane Yolen's "Lost Girls".
Apparently "Reading the Bones" is part of an in-progress novel in her
Lingster series, which examines linguistic problems in communicating
with alien species. I enjoyed the short piece enough to want to know
more about the characters. Anyone here read her work? As for the Yolen,
I gobbled up the feminist slant on "Peter Pan" and am still grinning
about her version of the Barrie classic; what fun, much like Emma
Donoghue's "Kissing the Witch" but with a little more edge and a little
less lyric.

Things have been a little quiet around here, except for the nomination
stuff, so I thought I'd speak up for a change, but that's it for now.
Happy reading to you all -
Marcie, on what feels like a determinedly winter-ish day for so early in
October in Ontario

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Date:         Fri, 6 Oct 2000 17:47:24 -0700
Reply-To:     Feminist SF/Fantasy and Utopia Literature ON TOPIC
              <FEMINISTSF-LIT@LISTSERV.UIC.EDU>
Sender:       Feminist SF/Fantasy and Utopia Literature ON TOPIC
              <FEMINISTSF-LIT@LISTSERV.UIC.EDU>
From:         Margaret McBride <mcbride@OREGON.UOREGON.EDU>
Subject:      sheila finch
MIME-version: 1.0
Content-type: text/plain; charset="us-ascii"

Shelia Finch has had a number of her stories dealing with linguistics and
aliens published in Fantasy and Science Fiction the last couple of years.
I enjoy them--I'm partial to stories that give a sense of how bound we are
by cultural assumptions.  Her aliens have valid reasons for their behavior
but they don't fit with the human assumptions frequently.

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=========================================================================
Date:         Fri, 6 Oct 2000 20:12:28 -0700
Reply-To:     Feminist SF/Fantasy and Utopia Literature ON TOPIC
              <FEMINISTSF-LIT@LISTSERV.UIC.EDU>
Sender:       Feminist SF/Fantasy and Utopia Literature ON TOPIC
              <FEMINISTSF-LIT@LISTSERV.UIC.EDU>
From:         sharon sahilu <sarima9@JUNO.COM>
Subject:      Re: BDG Conquerors Child/New guideline
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I can live with that.  Ie:  First of a series, or those that nominator
feels stand alone.

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